Well, we did it. This time last week, our short only existed on paper and now it's all done. We shot it on Tuesday with the help of a lot of brilliant people to whom I am extremely grateful. I spent the last few days editing it together and fixing some of the sound today (I have a few issues with what I did soundwise, but it's done).
So, here it is, Everything You Need from a script written by David Turner:
It looks fabulous thanks to Simon Vickery behind the lens, shooting on a Canon 7D DSLR. I'm amazed at the results we got and any flaws are down to me. It's a constant learning process. I'm also amazed that I simply decided to make a film and then went and did it. What with the new short and completing a feature screenplay recently, this his has been the most productive couple of weeks for about 10 years for me.
And I want to do nothing but make another, longer film now. Got to keep moving.
Showing posts with label london screenwriters festival. Show all posts
Showing posts with label london screenwriters festival. Show all posts
Friday, 21 October 2011
Tuesday, 11 October 2011
Filmmaking again. At last.
And so, I'm finally making a film again. Even if it only supposed to be one page long. I've finished the latest draft of my current feature screenplay and want to take advantage of the time available. I feel I've got loads of energy now I've done the draft which is now sitting with the Powers That Be.
We're entering the Four Days in August competition, being run by the chaps at Living Spirit Pictures and The London Screenwriters Festival (an event I really need to get to but the wallet disallows). The first half of the competition was about entering a one page script and the winner would be selected to be made by entrants to the second half of the competition. The theme is the riots in England a few months ago.
Still with me?
As it turns out, two scripts have been selected and we've gone for one of them (obviously). I've not made a film for quite a while and want this one to be good. Well, you should want every film you make to be good. I've teamed up with an MFA student at Screen Academy Scotland and a few other folks in the Scottish filmmaking community. We've literally no budget but will get the job done.
We're keeping a production blog and also have a Twitter feed dedicated for the film. Twitter still kind of baffles me but you have to take advantage of as much as you can these days, not that this will affect the outcome of the film or the competition but we want the film to have a presence outside of the competition. I've my own tweed feed as well, which I update even less than this blog.
We're shooting next Tuesday, most likely in Glasgow. One location, one character onscreen with no dialogue, another character offscreen with dialogue. It may be only for one minute but there is still a lot of work to do to get it up onscreen and ready for the competition deadline, Friday 21st October. I'm anxious that this goes well and am pretty nervous about it all. I just need to keep on top of it all and make sure our 60 seconds really count.
I want this ball to keep rolling and make more films after this. I've definitely sat on my arse too long in that respect.
We're entering the Four Days in August competition, being run by the chaps at Living Spirit Pictures and The London Screenwriters Festival (an event I really need to get to but the wallet disallows). The first half of the competition was about entering a one page script and the winner would be selected to be made by entrants to the second half of the competition. The theme is the riots in England a few months ago.
Still with me?
As it turns out, two scripts have been selected and we've gone for one of them (obviously). I've not made a film for quite a while and want this one to be good. Well, you should want every film you make to be good. I've teamed up with an MFA student at Screen Academy Scotland and a few other folks in the Scottish filmmaking community. We've literally no budget but will get the job done.
We're keeping a production blog and also have a Twitter feed dedicated for the film. Twitter still kind of baffles me but you have to take advantage of as much as you can these days, not that this will affect the outcome of the film or the competition but we want the film to have a presence outside of the competition. I've my own tweed feed as well, which I update even less than this blog.
We're shooting next Tuesday, most likely in Glasgow. One location, one character onscreen with no dialogue, another character offscreen with dialogue. It may be only for one minute but there is still a lot of work to do to get it up onscreen and ready for the competition deadline, Friday 21st October. I'm anxious that this goes well and am pretty nervous about it all. I just need to keep on top of it all and make sure our 60 seconds really count.
I want this ball to keep rolling and make more films after this. I've definitely sat on my arse too long in that respect.
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