tag:blogger.com,1999:blog-55636310556898009892024-02-19T06:38:52.011+00:00robinsonwritesfilmblogscreenwriting, filmmaking and movie blogBrian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.comBlogger225125tag:blogger.com,1999:blog-5563631055689800989.post-24235685939104309652020-10-27T11:38:00.003+00:002020-10-27T16:53:50.908+00:00Werewolf Woman meets Wolfman. We all lose.<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNUU8ZLmGvaT_D557ij5JyXHmiKuRUfoxwEHlvcJbPZQhjOTvH87XLl7piu0MSt552nJG56jQevzpVIvxuKJcjGvQDIrzgq9gJHeVqdY-WYvh_udfFRpAQUOQveIoBAtsEJcHkR4nTAWM/s1280/werewolf+woman+poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNUU8ZLmGvaT_D557ij5JyXHmiKuRUfoxwEHlvcJbPZQhjOTvH87XLl7piu0MSt552nJG56jQevzpVIvxuKJcjGvQDIrzgq9gJHeVqdY-WYvh_udfFRpAQUOQveIoBAtsEJcHkR4nTAWM/w502-h283/werewolf+woman+poster.jpg" width="502" /></a></div> <br /><!--[if gte mso 9]><xml>
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<p></p><p class="MsoNormal"><span style="mso-spacerun: yes;"> </span>As with any
sub-genre, it doesn’t take long before you come across something manky.
Werewolf Woman (1976), by Italian director Rino Di Silvestro, is a pretty nasty
exploitation piece that veers almost beyond soft-core porn and is ultimately a
pretty nasty film.</p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYix5-OD6T1cRZpsmF7MUiwThLK5AFg-VCyEDR34nT3-5MBenK5DosCUqKHBhCdlFhMYdNm2o7a1-pC0LrQM-6dFm9QfKtbZaQz7GF0Wc5MbxLVQhzYlACjrukJ8v3Wa4z8G0P6j-dk5w/s583/Werewolf-Woman-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="583" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYix5-OD6T1cRZpsmF7MUiwThLK5AFg-VCyEDR34nT3-5MBenK5DosCUqKHBhCdlFhMYdNm2o7a1-pC0LrQM-6dFm9QfKtbZaQz7GF0Wc5MbxLVQhzYlACjrukJ8v3Wa4z8G0P6j-dk5w/w503-h277/Werewolf-Woman-1.jpg" width="503" /></a></div><p></p><p class="MsoNormal"> <span style="mso-spacerun: yes;"> </span>Annik Borel plays
Daniella, a woman repelled by sex after being raped when she was younger. This
is combined with an obsession about a dead relative to whom she bears a striking resemblance, who was purported to be a werewolf. The film begins with a dream/flashback
to the female werewolf, Di Silvestri taking full nasty advantage of the idea of a woman
becoming a feral being, complete with full female frontal nudity and even a closer
shot of an area normally deemed off-limits in mainstream cinema. She transforms,
furry breasts and all and is hunted by the typical mob, killing one of them.
Daniella wakes up screaming. Not long after, her sister and her boyfriend turn
up, him looking identical to the victim from Daniella’s dream. She spies on
them having sex, which pushes her into a crazed attack on the boyfriend later,
killing him and blaming it on local dogs. She doesn’t become a werewolf but is
always naked when her feral attacks are made, biting and tearing.She soon escapes from a hospital to go on a voyeuristic killing spree.<br /></p><p></p><p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoMFg6Sn2CDgM3g1izdTuBJaAIJ_OApyMifXFh0HVXgWgqW9pyrcV8M7lHR6chDn511EZZy3L6Uhg_8ic0hpTOcRDkfjiR3YOMbGgJHkwFae3uAwSOUCbirwf1odu0C4ILeQBbqY4oJgE/s400/werewolfwoman_cavewoman4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="219" data-original-width="400" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoMFg6Sn2CDgM3g1izdTuBJaAIJ_OApyMifXFh0HVXgWgqW9pyrcV8M7lHR6chDn511EZZy3L6Uhg_8ic0hpTOcRDkfjiR3YOMbGgJHkwFae3uAwSOUCbirwf1odu0C4ILeQBbqY4oJgE/w503-h275/werewolfwoman_cavewoman4.jpg" width="503" /></a></div><p></p>
<p class="MsoNormal">It’s an unpleasant film that seems to treat the trauma of
rape as an excuse to have a naked woman brutalise others; when Daniella is hospitalised,
every other female patient seems to be a nymphomaniac. She does find peace for
a shirt time with a man she falls in love with, but a wholly unnecessary gang
rape sequence removes this joy from her life, resulting in a hasty revenge sequence.
The scenes of violence against her would be more difficult to watch of they
weren’t to incompetently filmed.</p>
<p class="MsoNormal"> Grubby and unpleasant.
</p><p class="MsoNormal"> </p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKpGB1HCaczpkf7RDrMZgPOWzPBgb0sZhFxTcE18fmepOSqQLEVHBOAxSX0DDuPi8nnwCuho0QfugUsY6kxHVK5-Ved3md-q1LFnv-Inny0PSRmVAf9ulS-AbCV9pDHI8Y6VnNmarw4Mo/s1280/eo+wolfman+poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKpGB1HCaczpkf7RDrMZgPOWzPBgb0sZhFxTcE18fmepOSqQLEVHBOAxSX0DDuPi8nnwCuho0QfugUsY6kxHVK5-Ved3md-q1LFnv-Inny0PSRmVAf9ulS-AbCV9pDHI8Y6VnNmarw4Mo/w498-h280/eo+wolfman+poster.jpg" width="498" /></a></div> <p></p>
<p class="MsoNormal"><i><span style="mso-spacerun: yes;"> </span>Wolfman</i>
(1979) was a vehicle to showcase the acting talents of producer Earl Owensby
and, on that front, it certainly showcases…well, something. Owensby made films
that went to the drive-ins of the 70s, mostly very cheap with actors who
possess little to no experience. I did see one of his later films rented on VHS
when I was a kid, <i>Gremloids</i> (1984), a cheap attempt at a Star Wars parody,
whose only real virtue was giving us Lord Buckethead, who has become a staple
of the UK election cycle.</p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjItlbizVhRN78iuQ9Kth17eovbNnrXEo8n6WLjPfllz9mmcIr2hyhKyONCzJkla5Y4Y3GvqFvEUjdYVi45IEGNbJlnrIN3TuKFLwVrXeEiO6AlBFK6azP9meBooBywjeM1RxmW8jdbP4w/s640/eo+wolfman.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="377" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjItlbizVhRN78iuQ9Kth17eovbNnrXEo8n6WLjPfllz9mmcIr2hyhKyONCzJkla5Y4Y3GvqFvEUjdYVi45IEGNbJlnrIN3TuKFLwVrXeEiO6AlBFK6azP9meBooBywjeM1RxmW8jdbP4w/w503-h377/eo+wolfman.jpg" width="503" /></a></div><p></p>
<p class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Owensby plays Colin
Glasgow, who has come home to attend the funeral of his father, who we already
know has been murdered by Colin’s cousins and a minister who also all happen
to be Satanists. Seems there is a werewolf curse they want to pass on to Colin,
for reasons we are never truly told. The curse is passed on to Colin and deaths
ensue. It’s all meant to take place in the 1910s (?) and attempts a Gothic
horror feel, which never feels authentic in any way. This is really cheaply
made stuff, shot either on location or in a cheap studio with concrete floors (some
high angles give them away, where floorboards should clearly be); no one sounds like they're in the corridors we're meant to believe they are. No work for Foley artists here, it seems. Most, if not
all, of the actors are not professional – this should never be a flat reason
for dismissal, but just about everyone here is awful. Extras and some victims
in the torch wielding mob look like they’ve not even bothered to dress for the
period, and bits of set wobble. Owensby’s werewolf is your typical hairy-faced,
black snouted wolfman, with dissolve transformations taking just 3 shots, the middle
of which he just looks like an ape-man. Owensby’s own central performance is
dismal to the point of incredulity. He simple cannot act and his southern drawl
is at odds with the location and tone he’s looking to achieve, coming off like
Lee Majors after a severe head injury.</p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWgOrjSQ38-87hizXv3MQI8CpgDrO2Ak4_61ipM_VHrqL5phAFl7Si1p_M8R8t9Cj_knOwKH-8_XTIXy8iltXsXJd8FBW6YGC8occVQEFK5KI4RWuiYToiLYE-rOM303fO9i5EA0ISWok/s640/earl+owensby.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWgOrjSQ38-87hizXv3MQI8CpgDrO2Ak4_61ipM_VHrqL5phAFl7Si1p_M8R8t9Cj_knOwKH-8_XTIXy8iltXsXJd8FBW6YGC8occVQEFK5KI4RWuiYToiLYE-rOM303fO9i5EA0ISWok/w501-h376/earl+owensby.jpg" width="501" /></a></div><p></p>
<p class="MsoNormal">This is really only about one step above Troll 2 (1990) territory, but nowhere near as much fun. A cheap, shoddy vanity project, but I suspect it made money
due to Owensby’s production methods, similar to Roger Corman, except Corman
would employ talented people.</p><p class="MsoNormal"><br /></p><p class="MsoNormal">Damn, I hate ragging on films, but these were just awful. <br /></p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-4731105912165956262020-10-24T23:27:00.005+01:002020-10-24T23:32:09.784+01:00Crying the Wolf Guy Must Die<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1mKgg6CpIVStPQgcfbizfP_Qpfy7kjLe89MWckve0sDHrLTNAUsQN08FO6QnmHWbXTIQaYOQ4jq6HfidD4xZ0ihGXHNYm06OA9iNxql1oohoa4IUylen5RprOY0UPR0PRk1HeVOhZYmI/s766/bwcww+poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="766" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1mKgg6CpIVStPQgcfbizfP_Qpfy7kjLe89MWckve0sDHrLTNAUsQN08FO6QnmHWbXTIQaYOQ4jq6HfidD4xZ0ihGXHNYm06OA9iNxql1oohoa4IUylen5RprOY0UPR0PRk1HeVOhZYmI/w499-h391/bwcww+poster.jpg" width="499" /></a></div><br /><i> The Boy Who Cried Werewolf</i> (1973) is another one I’d
wanted to see since I was a kid. A friend had a book of movies monsters featuring
this film and the photos of this werewolf scared the hell out of me, all wild
hair and huge eyes. Time has cooled my fear, as this film is aimed less at a
horror audience and seems a bit more for kids as well as their folks, and the
werewolf is a bit silly. The first film I saw in a cinema was <i>The Seventh
Voyage of Sinbad</i> (1958), and this film brings back two of the main players
from that film, director Nathan Juran and Sinbad himself, Kerwin Matthews.
Matthews plays a recently divorced father, Robert Bridgestone, who takes his doting
(and frankly irritating) son, Richie, for a weekend at their cabin in the
woods. No sooner have they arrived and strolling through the woods, then they
are attacked by a werewolf who has been stalking them since they drove up the road
– no sense of anticipation here, the werewolf is in display form the first
moment, and not all that scary, aside from some interesting guttural growls.
Said werewolf is dispatched (with relative ease, it must be said) but not
before dad has been bitten, and when dad starts to turn, Richie starts to
suspect but, of course, no one believes him. Until it’s all too late.<p></p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUqe9T4KchXMB1Swrvxv_0N8YqwO7yPb6dIpzMw4BD4WiVOHtZ8lgSA4sGO0f_rcE-mS1FNZinXp4v-uGgadWIzdTv5miSbIQDHOS0pAGhsLrkSfy-G5Q8DcRXM-9SrPk-C4rqZdkV2qk/s1262/the-boy-who-cried-werewolf-1975-.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1013" data-original-width="1262" height="402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUqe9T4KchXMB1Swrvxv_0N8YqwO7yPb6dIpzMw4BD4WiVOHtZ8lgSA4sGO0f_rcE-mS1FNZinXp4v-uGgadWIzdTv5miSbIQDHOS0pAGhsLrkSfy-G5Q8DcRXM-9SrPk-C4rqZdkV2qk/w500-h402/the-boy-who-cried-werewolf-1975-.jpg" width="500" /></a></div><p></p>
<p class="MsoNormal">Visually, it all feels a bit TV movie of the week, but there’s
some interesting stuff going on here, with a boy’s growing fear of his father
after a divorce, and an identity crisis for 1970s middle aged divorced men.
There are some ropey gender politics going on but those are a product of the
time this was made. The werewolf make-up seems less actual make-up and more of
a mask, allowing for a more pronounced snout, as opposed to the blackened, dog
nose of previous werewolves. I kind of liked that here, even of the snout seems
to be open a good deal of the time, precluding much expression, but that comes
from Kerwin Matthews’ loud and crazy eyes. It's a memorable werewolf for me. A sub plot involving Christian hippies
is relatively amusing, their buffoonish leader played by the screenwriter, Bob
Homel, but a buried head in Matthews' cabin is a Chekhov’s Gun which fails to go
off.</p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk5BqisE8hKK-hHYGM82G3tFsHKmlyWj7_kA6k9o5flBvNwGv1J-puGiR4-_CViLtUTN1JTv_S7HX5ZYhgVaSoN9G7FW1RZ4JmcQQt_s1_6l6xfaOLfkt3_37lMO91R_saZcGdjA8me0E/s620/Boy-Who-Cried-Werewolf-620-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="285" data-original-width="620" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk5BqisE8hKK-hHYGM82G3tFsHKmlyWj7_kA6k9o5flBvNwGv1J-puGiR4-_CViLtUTN1JTv_S7HX5ZYhgVaSoN9G7FW1RZ4JmcQQt_s1_6l6xfaOLfkt3_37lMO91R_saZcGdjA8me0E/w495-h227/Boy-Who-Cried-Werewolf-620-1.jpg" width="495" /></a></div><p></p>
<p class="MsoNormal">OK, I admit it; <i>The Seventh Voyage of Sinbad</i> was
technically the second film I veer saw in a cinema, being part of a double bill
with <i>The Bugs Bunny Road Runner Movie</i> (1979). Chuck Jones and Ray
Harryhausen was a decent start for me.</p><p class="MsoNormal"> </p>
<p class="MsoNormal"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNllLLc9Q7MT_GQRv9x9X7ia1oEnVTrV0zmj7EZLYfMed5el0ftyopk6TPNQVXuEqBwaRNPXY85QVOQsYiiUVPCyt5iVeVv3m9QgOwPRUmHicVMuLFxjL30Xk5uUUV9Odev2iYb9EN2Qw/s600/The_Beast_Must_Die_Poster_600_474_81_s.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="474" data-original-width="600" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNllLLc9Q7MT_GQRv9x9X7ia1oEnVTrV0zmj7EZLYfMed5el0ftyopk6TPNQVXuEqBwaRNPXY85QVOQsYiiUVPCyt5iVeVv3m9QgOwPRUmHicVMuLFxjL30Xk5uUUV9Odev2iYb9EN2Qw/w499-h395/The_Beast_Must_Die_Poster_600_474_81_s.jpg" width="499" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">This werwolf is a LIE.<br /></td></tr></tbody></table></p>
<p class="MsoNormal"><i>The Beast Must Die</i> (1974) is the film which sparked
this whole idea of watching werewolf films during October. The last of Amicus’
horror films, and not an anthology film (something they excelled at), it’s a
grand and pompous affair, starring Calvin Lockhart as a millionaire big game
hunter, Tom Newcliffe, who seeks the ultimate prize – to hunt down and kill a
werewolf. To accomplish this, he has brought a selection of the great and the good
to his mansion, all selected due to their proximity to gruesome murders which
could be attributed to werewolves, and he’s convinced one of his guests is one.
He makes to secret of this and even becomes obsessed with one particular guest,
Paul Foote, played by Tom Chadbon, who should be familiar to fans of classic <i>Doctor
Who</i> as Duggan in the classic story, <i>City of Death,</i> looking like a drunk Rick Wakeman. Michael Gambon
also makes an early cinematic appearance as a classical pianist.</p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK_fw7m8jfDj0QCbl156soq3XHYfQFobgrInwN154e72rq7JQ-ceR7UMJ-n-QrwQQNxFDMEHlACFyy27cGECNr16elsouK7duXmA02NYU2QZHvRAe7BMuse2fKo2tXA5IQiNUGjganmJE/s284/the+beats+must+die+still.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="177" data-original-width="284" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK_fw7m8jfDj0QCbl156soq3XHYfQFobgrInwN154e72rq7JQ-ceR7UMJ-n-QrwQQNxFDMEHlACFyy27cGECNr16elsouK7duXmA02NYU2QZHvRAe7BMuse2fKo2tXA5IQiNUGjganmJE/w479-h298/the+beats+must+die+still.jpg" width="479" /></a></div><p></p>
<p class="MsoNormal">The Agatha Christie roots are obvious and it kind of works, even if it all gets a little rushed; this is no <i>Death on the Nile</i>. Newcliffe is basically a rich maniac who has pulled all of these
people together to use as bait. As expected, some of the guests are picked off,
leading to a grand finale, but not before innocent people meet with grisly deaths
along the way. But there could be something to be said for casting a black
actor who has brought a lot of very white English/European types to his mansion
to his amusement. The film doesn't appear too bothered with much of this, even if his wife,
played by African American actress Marlene Clark, is dubbed by white Scottish/US
singer Annie Ross. Annie Ross will forever be ingrained in the terrified minds
of 80s kids as the woman who gets turned into a robot in <i>Superman III</i>
(1983). And being Jimmy Logan’s sister. Ross’ voice is very distinctive, and the
use of her in the dubbing was just distracting. The presence of they call a "werewolf break", where the filmmakers stop everything to ask the audience who they think the werwolf is is incredibly distracting, apparently producer Milton Subotsky''s idea, but it doe slend itself to the evening dinner part feel the film seems to be aiming for, alongside the deaths and ripped out throats. <br /></p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiz_mKM7sIL3WY2xhW7tmllDzc_ify-GVSaN8cJiopdMQa7nhvZGgE9HeL8tBOL1zYYfogO0AksLZZMi0OI4j_Cwn5N8hjMhmfwTSmOOULoAtALsmFeJgnEsCxheK_PyYuSZq-VIOPy8y0/s615/beast+must+die+werewolf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="368" data-original-width="615" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiz_mKM7sIL3WY2xhW7tmllDzc_ify-GVSaN8cJiopdMQa7nhvZGgE9HeL8tBOL1zYYfogO0AksLZZMi0OI4j_Cwn5N8hjMhmfwTSmOOULoAtALsmFeJgnEsCxheK_PyYuSZq-VIOPy8y0/w503-h300/beast+must+die+werewolf.jpg" width="503" /></a></div><p></p>
<p class="MsoNormal">I had a bit of an issue where the werewolf itself, played by
a big black dog (no anthropomorphic Wolf Man here, folks) takes on Lockhart’s
own dog and the two fight. It looks like the filmmakers did indeed encourage two
dogs to actually fight each other and that’s an unacceptable line crossed for
me. As stated, the werewolf itself is just a big black dog, even though the
poster for the film clearly shows a full-on Wolf Man as the monster – this image
being “borrowed” from <i>The Boy Who Cried Werewolf</i>, quite the cheat indeed.
Anton Diffring and Peter Cushing emerge with most of their dignity intact, if not
one of their throats, while Charles Grey seems mercifully ignored. The film begins
with an interesting fake out regarding the main character and ends with a
supposedly noble sacrifice, but the hubris and arrogance of the main character
seems forgotten by this moment. Over-acted and rather full or itself, with some
brilliant actors a bit wasted. The score is that unique UK 70s jazzy funk thing
I remember hearing on The Professionals and The Return of the Saint in early
childhood, lending a sense of cool to the daft proceedings.</p>
<p class="MsoNormal"> <br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9J5Caiq6yqcp8FgBDbJHha6sJzCeZiy_DgLmngUkbCCKqNwNbdSK7AovR8HC-nPjs8eTmzSW58aSGVLpghiogUhEqG9n6shs-uefD8DQoFnMqsMD0V7djWEPrL1gXEdb2i7rSacne7e8/s507/wolf+guy+poster.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="350" data-original-width="507" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9J5Caiq6yqcp8FgBDbJHha6sJzCeZiy_DgLmngUkbCCKqNwNbdSK7AovR8HC-nPjs8eTmzSW58aSGVLpghiogUhEqG9n6shs-uefD8DQoFnMqsMD0V7djWEPrL1gXEdb2i7rSacne7e8/w499-h344/wolf+guy+poster.jpg" width="499" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">At no point does Wolf Guy look like James Bond<br /></td></tr></tbody></table><br /></p>
<p class="MsoNormal"><i>Wolf Guy - Enraged Lycanthrope </i>(1975) is a Japanese wolf man tale starring
Sonny Chiba as Akira Inugami, the last survivor of a wolf clan, now almost
exterminated by locals. Based on a manga and actually a sequel to <i>Ōkami no Monshō</i> (1973), Chiba’s
werewolf doesn’t assume the form of a wolf but does gain special feral powers
when the moon is rising, his powers peaking when the moon is full, and weakneeing during a new moon. Unlike
Lawrence Talbot, this werewolf actually looks forward to a full moon, so he can
use his abilities for good, being kind of a superhero – I think his actual job
is journalism, but I don’t think it’s explicitly stated in the film. But he's played by Sonny Chiba and can therefore kick the living shit out of people, so there's that. He's also bullet-proof at the peak of his powers. A transfusion of his blood to one of the villians does result in a bit of a more wild appearance, but I suspect that's simply because he's a bad guy and this is that kind of film.<br /></p>
<p class="MsoNormal"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7IQpH3NXiGDrMrWzR5T7zEjdVDdYlZExqAa2AlsfZtRgakap4hbJaTSbXzsBe8NaGTSmCVgKJ9WW2FdRYwhOOk5vNBk0Vdjozn6K1qm8E0lVEzaYM1AbyBxx_Wv-UvMcPwGNGX5Qpn8k/s615/Wolf-Guy-6-615x345.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="345" data-original-width="615" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7IQpH3NXiGDrMrWzR5T7zEjdVDdYlZExqAa2AlsfZtRgakap4hbJaTSbXzsBe8NaGTSmCVgKJ9WW2FdRYwhOOk5vNBk0Vdjozn6K1qm8E0lVEzaYM1AbyBxx_Wv-UvMcPwGNGX5Qpn8k/w499-h281/Wolf-Guy-6-615x345.jpg" width="499" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Not our Wolf Guy. A different, brief Wolf Guy.<br /></td></tr></tbody></table></p>
<p class="MsoNormal">Coming across a crazed man who claims a tiger-woman is
coming for him, the poor guy is ripped to shreds by an invisible force right
before Inugami’s eyes. He investigates and discovers that the victim is a
member of a pop group who gang raped a young woman, Miki, at the behest of a
business magnate who didn’t want his son to marry her. Her rage now manifests
in this invisible tiger and all she hates are doomed to die horribly. Chiba
wants to help her and lift her from her life of abuse and drug addiction, but
other powers are interested in both of them. A shadowy organisation, possibly
the government, abduct them both. The emotionally fragile Miki has no choice
but Chiba resists, leading to a gruesome scene where he is surgically cut open,
while awake, and his intestines are left exposed. This is a nasty scene,
featuring real surgical footage but the image is turned negative to avoid too much
audience vomit. This also leads to a fantastic scene where, as the full moon
appears, he uses his powers to draw his horribly exposed guts back into his
body, sealing the open wound. It’s bonkers.</p>
<p class="MsoNormal"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga-YvLvzxUWj-aSlVCm-k6ZLHHVyBH04PB1Vn4TiBRMBqTyXgwcm1ys3LVYBHsXGgiL_P7L_-P5cVf64UGNlRWQcOXzvDLbj4S-sqnUwNLDZQq8VNAh2zUawaELJiZvdmr9AN4UTjLCEE/s640/wolf-guy-1975-the-one-they-call-hatred-of-humans.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="270" data-original-width="640" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga-YvLvzxUWj-aSlVCm-k6ZLHHVyBH04PB1Vn4TiBRMBqTyXgwcm1ys3LVYBHsXGgiL_P7L_-P5cVf64UGNlRWQcOXzvDLbj4S-sqnUwNLDZQq8VNAh2zUawaELJiZvdmr9AN4UTjLCEE/w497-h210/wolf-guy-1975-the-one-they-call-hatred-of-humans.jpg" width="497" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">A bit of Noir.<br /></td></tr></tbody></table></p>
<p class="MsoNormal">Much of the film is, indeed, bonkers, with every woman with
a speaking role throwing themselves at Chiba almost the moment they meet him,
and a wonderfully funny moment where a thug is shot in the head, screams in the
most over the top manner, and falls down a cliff, crap dummy used to full
comedic effect. This might make me sound sick, but it is honestly hilarious. Tt seems to jump between genres at will, from crime drama to film noir to action spy caper with the greatest of ease. I
had a top time watching Wolf Guy and it’s a shame no more were made.</p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-54423410935825065512020-10-20T18:38:00.004+01:002020-10-20T18:47:56.582+01:00Month of the Werewolf - Two Comedies and a Biker Flick<p> <!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
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</p><p class="MsoNormal">A few to catch up with from the past few days.</p><p class="MsoNormal">
</p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1BtWvH_SFgdkQF6bTgW6OkqeMvhcFIZdRE36fbpWrGwDxOE7Qf309DaCsauvJhtZrJ-GlTm-h7OwFGc9EjbvpqoNDOo2QmlRQlavSldsEONTCdjRnVzUT9QyvME4tieZKPbr6s-LU96I/s1096/Le+Casa+del+Terror+poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="832" data-original-width="1096" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1BtWvH_SFgdkQF6bTgW6OkqeMvhcFIZdRE36fbpWrGwDxOE7Qf309DaCsauvJhtZrJ-GlTm-h7OwFGc9EjbvpqoNDOo2QmlRQlavSldsEONTCdjRnVzUT9QyvME4tieZKPbr6s-LU96I/w499-h379/Le+Casa+del+Terror+poster.jpg" width="499" /></a></div> <p></p><p class="MsoNormal"> First up,<i> La Casa del Terror</i> (<i>The House of Terror,</i> 1960).
Jumping backwards in time a little bit, my next werewolf film was meant to be
<i>Face of the Screaming Werewolf</i> (1964) which is just a brilliant title. I want to see
a film with that title, but just not this particular one as it’s a cut and shut
job, like a dodgy car. Two Mexican films were stitched together to create what
is said to be an incoherent mess that just takes advantage of the fact that Lon
Chaney Jr appeared in one of the two films, while much of the rest of that film
was removed. And it’s dubbed, so thaty knocked it from the list. What remained,
though, was an interest in the original film, a Mexican comedy horror in which Chaney
appeared, <i>La Casa del Terror.</i></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh_SHG5PxnlhHawAWMA2K2GXcHkrxtD43DyvjkJ3KVhxUBjx_WpCEIx6f-yoFTbesZykSdrNcrw4n3liruAmC6ue6FnMRLY3RlEDKfKfhIsUZl2Y5vYSrtLL3xEYKRHIbXJqr8hn7MtDE/s480/Chaney+del+Terror.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="480" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh_SHG5PxnlhHawAWMA2K2GXcHkrxtD43DyvjkJ3KVhxUBjx_WpCEIx6f-yoFTbesZykSdrNcrw4n3liruAmC6ue6FnMRLY3RlEDKfKfhIsUZl2Y5vYSrtLL3xEYKRHIbXJqr8hn7MtDE/w500-h375/Chaney+del+Terror.jpg" width="500" /></a></div><p class="MsoNormal"> A comedy vehicle for German Valdez, popularly known as Tin
Tan, appearing as Casimiro, the night guard in a wax museum which also happens
to be run by a mad scientist. The filmmakers persuaded Lon Chaney Jr to appear as
an obvious Wolf Man imitation, not just any old werewolf, but with the added bonus
of him being a Mummy as well, a blend that the US distributors of F<i>rankenstein’s
Bloody Terror</i> (1968) failed to achieve. This one embraces the absurdity and tropes of
its predecessors, complete with a King Kong reference, as the Wolf Man (clearely not Chaney at this moment) scales a
city building with his unconscious damsel over his shoulder, only to reach the
top and then use the stairs to get back down again, achieving very little. The
villain of the piece, the mad Professor Sebastian (Yerye Beirute), who bears more
than a passing resemblance to Boris Karloff, with yet another plan to reanimate
corpses to dominate the world. </p><p></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTtfXw2ht-ZKj16M9vdIIndgBgHFR_KLoO6ZDjYp6MstWn0C3S56sr127N78ma-bc42TE4x6DdoMT6UOX32p0TZ7xlUOMjTuENyko49QJKngG6n7I5HmBV-352Z5_LXBrHSYSj992H7s4/s720/wheels.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="552" data-original-width="720" height="386" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQoOubDosD5yBvACf2Jwf17puNcY9WLj7bznEEULmW1sAWvTeEZQnQM6zsqpYDDrN78pZZCbRsgO0qMqV_LWuRMRRwWiAL65tWv0TA0KuYz7RIhtPnhuLzhLuAwg2UVMPSRNY_UG2tLhM/w504-h386/LaCasaDelTerror+09.jpg" width="504" /></a></div> <p></p><p class="MsoNormal"> Above all, this is an obvious vehicle for Tin Tan, who does
no favours to the horrid stereotype of Mexicans being lazy and eating too much.
Chaney is clearly tired and was not happy with playing a Wolf Man again. His
performance veers directly into tragic Talbot territory (literally the same
performance) but without any dialogue, and his make-up looks like a poor man’s
version of Pierce’s design, which leads to the feeling that the filmmakers
wanted to simply have Universal’s character in their film. The only effective horror
scene is where he is silently stalking Casimiro’s girlfriend, Paquita (Yolanda
Varela), with visual reference to the stalking scene in <i>Cat People</i> (1942), and
this continues into her apartment with some nice tension, but it all falls
apart when he is revealed to her, featuring a terrible and slow “attack” scene.
It’s entertaining enough with an agreeable balance between Tin Tan’s comedy and
the horror plotline. But I felt terribly sorry for Chaney here, he's not in good shape and this part does little for any sense of dignity.</p><p class="MsoNormal"> <br /></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1gi5_vzBiNV9BwJRkczJz1Q-T-ZjILD7xT8jOJrCQ7ANNCGxAe3ctWBAUX7ov2iPb5Bq4sB5VIgEthiCY92Uf6MKjZ-gm0QjSztLarwKYsSZvHYp84yTQDco_IJCfzGSBdZSwDEy3QbQ/s480/werewolves+on+wheels+poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="480" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1gi5_vzBiNV9BwJRkczJz1Q-T-ZjILD7xT8jOJrCQ7ANNCGxAe3ctWBAUX7ov2iPb5Bq4sB5VIgEthiCY92Uf6MKjZ-gm0QjSztLarwKYsSZvHYp84yTQDco_IJCfzGSBdZSwDEy3QbQ/w505-h379/werewolves+on+wheels+poster.jpg" width="505" /></a></div> <p></p><p class="MsoNormal">You can’t get much more of an exploitation film by crossing
a Biker movie with a Monster movie, but like most exploitation films, that’s
all there is here, and there’s not even too much of that.<span style="mso-spacerun: yes;"> </span><i>Werewolves on Wheels</i> (1971) has a decent start
with obvious Biker movie style; dust trails on the road from a distance, chrome
trims, crazy hogs and wild, violent biker gangs. This particular gang seek
shelter in appears to be a Satanist temple and are met with surprising
hospitality by the Satanists in residence, offered lots of food and drink which
turns out to be drugged, so they can have their way with one of the female
bikers. Comedian Severn Darden, from both <i>Conquest of the Planet of the Apes</i>
(1972) and <i>Battle for the Planet of the Ape</i>s (1973), features as the leader of
the cult, his face caked in dark make-up. The ritual is interrupted and the
bikers attack, only for the girl and her boyfriend and leader of the pack, Adam
(Steven Oliver) to become cursed as werewolves.</p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1e9K1YtLEv3qvhvwRbWaYQBXbI12hSPya0iq-NZc3GEZNrc7c12gZFekEWHOkmXCAH1R60EecXCYXJIPA2FvOufRfSOGfTR61h-xKlCumtyhhloG0sqINvxecincVsf-A7v078Z-r4zY/s645/Werewolves-on-Wheels-645x370.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="370" data-original-width="645" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1e9K1YtLEv3qvhvwRbWaYQBXbI12hSPya0iq-NZc3GEZNrc7c12gZFekEWHOkmXCAH1R60EecXCYXJIPA2FvOufRfSOGfTR61h-xKlCumtyhhloG0sqINvxecincVsf-A7v078Z-r4zY/w505-h290/Werewolves-on-Wheels-645x370.jpg" width="505" /></a></div> <p></p><p class="MsoNormal">There’s not much in the way of
actual werewolves until the end, with an initial attack portrayed either a bit
abstractly or just ineptly, as the bikers get picked off one by one at night by
their own leader, with things coming to a head as they both transform in front
of the gang (conveniently) leading to the film’s fiery climax, which features
two dark haired werewolves with a traditional appearance, except we know which
one of the girlfriend character because that werewolf has long hair… The poster
does not keep its promise of a werewolf on wheels – this does happen at the end,
but everything is so dark and poorly edited that it’s impossible to really understand
what’s going on. There’s an aimless air to the proceedings which matches the bikers’
lifestyle, and a clear connection to the myth of Circe, with bikers drugged via
food by cultists only to be turned into beasts. The finale is meant to be trippy
but feels tacked on to simply try ad mess with the audience’s minds. Real
bikers used. Local hippies used to play cultists, ironic as hippies blamed for
satanism due to Manson family, etc. Technically not great on many levels. I had bene looking forward to this one. That'll learn me...<br /></p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6p6igUSIBCCyxYxXgxBEosCMfs3aujU5JumV5doCx4xgC2xShtuTqqyDmfPMbpnZn7LoKh0y0XoP8gbb_iiwJhOSbi9w_PBS2l72-xr2FoBnVAvbtpSiHADON_RtMRQ1HIIJhhwQuEaU/s3000/WoW+poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2290" data-original-width="3000" height="382" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6p6igUSIBCCyxYxXgxBEosCMfs3aujU5JumV5doCx4xgC2xShtuTqqyDmfPMbpnZn7LoKh0y0XoP8gbb_iiwJhOSbi9w_PBS2l72-xr2FoBnVAvbtpSiHADON_RtMRQ1HIIJhhwQuEaU/w501-h382/WoW+poster.jpg" width="501" /></a></div><br /><p></p>
<p class="MsoNormal">Another comedy, I was positive I had watched <i>The Werewolf of
Washington</i> (1973) as a teen but clearly had not remembered much about it.
Technically inept, it functions as a satire that is pretty heavy handed, if
prescient, treating the ongoing Watergate scandal a good year before Nixon’s
resignation. Dean Stockwell plays a press secretary to the US President and is
bitten by werewolf while on assignment in Hungary, returning to Washington to
become a werewolf who begins to eat and/or maul the President’s enemies. A mostly
good cast is squandered on a poor script and direction. The framing during dialogue
shots is awful, with a baffling amount of extra headroom above the actors. But
it does have its moments, and there are some good performances from Dean Stockwell, Clifton James, and Biff McGuire as the idiotic POTUS. </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg48HNPPAoH_JAZbRwAW2biLGyZy1ZRYA5wJ0yPOuQVcFG1KzX87wT1x2o4Vx_qF8eeQjO8zSOvtV7kPTOPheAcIw32tkBNoyjG3o1mIPftXCPO-88JOeN7p59n8GYjlonwxHB8qHofTNs/s1600/Dean+Stockwell.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg48HNPPAoH_JAZbRwAW2biLGyZy1ZRYA5wJ0yPOuQVcFG1KzX87wT1x2o4Vx_qF8eeQjO8zSOvtV7kPTOPheAcIw32tkBNoyjG3o1mIPftXCPO-88JOeN7p59n8GYjlonwxHB8qHofTNs/w503-h283/Dean+Stockwell.jpg" width="503" /></a></div><p></p><p></p><p class="MsoNormal"><i> </i></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip0Z66fcU7GiZKz0-xuMjVZv7NRwQVKqoGvLK28aXFlnHsnIsaiDb0j_J-CzWoER33rl0MPnprk8HWl9q1NTDfVPLr3u8zcKh5NDHXkBKeepTfzuSIj9yElGlLwX6TOjVR1cUYw-UEAFM/s639/Wwash2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="410" data-original-width="639" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip0Z66fcU7GiZKz0-xuMjVZv7NRwQVKqoGvLK28aXFlnHsnIsaiDb0j_J-CzWoER33rl0MPnprk8HWl9q1NTDfVPLr3u8zcKh5NDHXkBKeepTfzuSIj9yElGlLwX6TOjVR1cUYw-UEAFM/w502-h321/Wwash2.jpg" width="502" /></a></div><p></p><p class="MsoNormal"><i> The Werewolf of Washington</i> clearly uses
familiarity with <i>The Wolf Man</i> (1941) as jumping off point for it's script, with clear
references to original. Stockwell’s werewolf make-up (presented through the usual dissolve transformation) has a bigger, greyer look
to Pierce’s design, but it seems to big on his light frame, although this does
give his beast more of a light agility. This werwolf is light on his feet, sneaking around and hanging on to car rooftops.<br /></p><p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7VoOvEZ1-A3HMYzYaH44z8kHHLGDyppw_BzcjVvFDJqUMmB1trlD5AvNUrllnZkQg5VFjYu7ClG_B8tEi0TofrpQ4hqgx4v0bZu34qVb7n5mqbDLmk30mxMKkI6W-I_659Io9urzEPBk/s960/Werewolf-Of-Washington.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="520" data-original-width="960" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7VoOvEZ1-A3HMYzYaH44z8kHHLGDyppw_BzcjVvFDJqUMmB1trlD5AvNUrllnZkQg5VFjYu7ClG_B8tEi0TofrpQ4hqgx4v0bZu34qVb7n5mqbDLmk30mxMKkI6W-I_659Io9urzEPBk/w507-h274/Werewolf-Of-Washington.jpg" width="507" /></a></div><br /><p></p><p class="MsoNormal">Stockwell has weird but amusing scene with an odd
horror homage scene with Michael Dunn as Dr Kiss, a strange scientist who
exists beneath the White House, an obvious satire on Henry Kissinger, with
suggestion of Frankenstein’s Monster experiment. Stockwell’s werewolf is
affectionate towards Dunn, licking him like a dog, but this idea goes nowhere.
A cheap, half-baked and wasted opportunity with some garish 1970s interior decoration that’s
liable to give headaches; not once does this feel like it takes place inside
the White House.</p><p class="MsoNormal"> A word of warning about <i>The Werewolf of Washington</i> - it's available to rent or buy on Amazon Prime streaming. <b>Don't</b>. It has to be one of the <i>worst </i>prints of a film I've ever paid to see. Inexcusable qualoty where hardly a thing can be seen. It's on YouTube if you're that curious.<br /></p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-76230671665970561242020-10-16T22:02:00.008+01:002020-10-16T22:05:24.443+01:00Mark of the Wolfman aka Frankenstein's Bloody LIES!<p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk0Zbq6o1u8pEHl1S5RzjUea4iqBZv52BSpyx3BYvDVcj9BwIZMHe6OqUhbsZ8zzAlFRtNOYNRRPv63i46N7l_BNlIjg-eU6C20fvIV95FpIty7Dj6OlE1J3MDHZERmFX8F7yilLkLtDE/s244/mark+of+the+wolf+man.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="207" height="397" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk0Zbq6o1u8pEHl1S5RzjUea4iqBZv52BSpyx3BYvDVcj9BwIZMHe6OqUhbsZ8zzAlFRtNOYNRRPv63i46N7l_BNlIjg-eU6C20fvIV95FpIty7Dj6OlE1J3MDHZERmFX8F7yilLkLtDE/w337-h397/mark+of+the+wolf+man.jpg" width="337" /></a></div><br /> Breather was a bit longer than anticipated. But I return.<!--[if gte mso 9]><xml>
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<p></p><p class="MsoNormal"> Spain’s Paul Naschy is a name that’s popped up quite a few
times when compiling a list of werewolf movies to watch – it seems, to date,
that he’s portrayed werewolves more than any other actor. Real name Jacinto
Molina Alvarez, he was advised to change his name for international markets by the
German distributors of this, his first werewolf move and also his first
appearance as the mysterious Waldemar Daninsky. He would play the part another
11 times, each film unconnected to the others, So, he could be killed at the end of
one film and then just turn up in the next with no explanation; not unlike Lawrence
Talbot and Dracula in <i>House of Dracula</i> (1945), after they were seemingly
permanent demises in <i>House of Frankenstein</i> (1944). Logic’s not always
great, and that’s just as applicable here in <i>La marca del hombre lobo</i>
(1968), which translates as <i>Mark of the Wolfman</i>. The version I managed
to see was actually titled Frankenstein’s Bloody Terror and promises a Frankenstein
Monster which becomes a wolfman! <span style="mso-spacerun: yes;"> </span>This does
not happen. Nope.<br /></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7GM_atxnSV_swhyphenhyphenhI3Zi9UGRAV4z06MpOo8H9x0kvAWa0jPn3K9QuLHMjh2crR2BMmeYon7mPMwf_X7upYhFGY1NaWm61sz6o9rQB5aApkc3r9-kGDy0XScDpEt1VoihOXsg1oaKBsXk/s1004/PAUL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="645" data-original-width="1004" height="324" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7GM_atxnSV_swhyphenhyphenhI3Zi9UGRAV4z06MpOo8H9x0kvAWa0jPn3K9QuLHMjh2crR2BMmeYon7mPMwf_X7upYhFGY1NaWm61sz6o9rQB5aApkc3r9-kGDy0XScDpEt1VoihOXsg1oaKBsXk/w504-h324/PAUL.jpg" width="504" /></a></div> <p></p><p class="MsoNormal"> Waldemar is bitten by a formerly dead werewolf, of the family
Wolfstein (as close as this affair gets to the broken promise of a lycanthropic
Frankenstein), after he is accidentally by a drunken Romani couple seeking
shelter in his ruined castle. Now cursed, he seeks help from his two “friends”,
Rudolph and Janice, only after stealing Janice from Rudolph, as is the way with
mysterious chaps like himself. They call on two strange doctors, who claim they
can help cure Waldemar, but in fact turn out to be vampires who want Waldemar’s
werewolf for, well, it’s never really explained. Even less makes sense after
this turn of events, with the original werewolf somehow resurrected <i>again</i>
for purposes as unclear as anything else.</p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyBXnsET1ROCfOIAN0IJTY4i0hzfZYJHKFqca4GcPemyilwPDjJ_cMe0dFCO4Cpw2pTkTuEW01mEyX5AAU5gO75-LCoMN11v6qjteiyCVjuGgSZVfRHb1QDAJYJyJmwLkkB7SeDljA6ZM/s991/la_marca_del_hombre_lobo_19672.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="445" data-original-width="991" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyBXnsET1ROCfOIAN0IJTY4i0hzfZYJHKFqca4GcPemyilwPDjJ_cMe0dFCO4Cpw2pTkTuEW01mEyX5AAU5gO75-LCoMN11v6qjteiyCVjuGgSZVfRHb1QDAJYJyJmwLkkB7SeDljA6ZM/w509-h229/la_marca_del_hombre_lobo_19672.jpg" width="509" /></a></div><p></p> The version of the film I saw was
dubbed, atrociously, with the entire soundtrack replaced with some weird 60s sounds
that were quite distracting. I’d be interested in seeing it in the original
Spanish, with its original soundtrack intact. Scenes in this version also play
out strangely, sometimes just ending. Other times characters appear in the next
scene in a totally different location, seemingly at the same time, and then
they jump back conveniently to the original location, as though someone got
happy with a razor blade if re-editing for other markets. Hairstyles change sometimes instantenously between scenes that take place immediately after the previous one. I cannot stand dubbed
films, unless they involve Kaiju in the 1960s (gimme some of that Showa Toho
energy!). But this kind of dubbed crap appraoch is the ultimate phoniness.<p class="MsoNormal" style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdHmF-1QnOnUXflvf1O3MCY2M5hITeq5eO4alU2mKNDa2ZclYraYBX_reGVR1E3ImMQnX4OsOly_o2Tp1edRHMkX6w73_Hlkf8ykKCv3jx6bPiasB8vthKSvleiA_UTJv-q3IbhH0vYKQ/s620/Naschy+fangs.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="348" data-original-width="620" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdHmF-1QnOnUXflvf1O3MCY2M5hITeq5eO4alU2mKNDa2ZclYraYBX_reGVR1E3ImMQnX4OsOly_o2Tp1edRHMkX6w73_Hlkf8ykKCv3jx6bPiasB8vthKSvleiA_UTJv-q3IbhH0vYKQ/w500-h281/Naschy+fangs.jpg" width="500" /></a></div><p></p>
<p class="MsoNormal" style="text-align: justify;"></p>
<p class="MsoNormal" style="text-align: justify;"> There’s a decent sense of gloom
across the film, even with the garish and slightly overdone production design.
We get treated to Waldemar’s first transformation through a weird, blurry lens
effect. The make up design is not bad, clearly your average wolfman, but the difference
is in Naschy’s wild performance, as he jerks unpredictably from side to side,
almost like a crab, on his haunches. His first victims, who coincidentally
speak to each other about werewolves <i>just</i> as Waldemar burst into their
cottage and engages in what a police report might refer to as a frenzied and sustained
attack. Naschy’s werewolf is a little dynamo, full of manic energy. He would
play the part again and I’m intrigued as to what the rest of his films are
like.But good to see werewolf films from other parts of the world.<br /></p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-37259985172165995402020-10-13T21:40:00.006+01:002020-10-13T21:40:37.478+01:00A Breather<p> <span data-offset-key="b2lnb-0-0"><span data-text="true">No werewolf film blog tonight, so you're all spared more of my inane, shallow babbling.</span></span></p><p><span data-offset-key="b2lnb-0-0"><span data-text="true">I'm a few films ahead, and family and work have exhausted me today.</span></span></p><p><span data-offset-key="b2lnb-0-0"><span data-text="true">See ya's tomorrow for some Paul Naschy madness.</span></span></p><p><span data-offset-key="b2lnb-0-0"><span data-text="true"> </span></span></p><p><span data-offset-key="b2lnb-0-0"><span data-text="true">B <br /></span></span></p>Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-76303424909426598802020-10-12T23:06:00.008+01:002020-10-13T12:00:15.341+01:00Moon Shadows & Dust - Curse of the Werewolf<p> <br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVQclE0dC4DPTGUYKmClK6WdIAllq6gCnaghly_GwSzZPXkkqytHbpFFKK1cgNLpRT8wfmnLTWsbtpxP2vZvoeniL3bJoNhdLRPZKv_lt7kTobB9s9UWN1NIghuVkkr4elJi819T3oC1I/s760/curse.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="566" data-original-width="760" height="372" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVQclE0dC4DPTGUYKmClK6WdIAllq6gCnaghly_GwSzZPXkkqytHbpFFKK1cgNLpRT8wfmnLTWsbtpxP2vZvoeniL3bJoNhdLRPZKv_lt7kTobB9s9UWN1NIghuVkkr4elJi819T3oC1I/w500-h372/curse.jpg" width="500" /></a></div><br /><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
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<p></p><p class="MsoNormal">Moving on to the 1960s, it wasn’t just the US studios who
were going back to the werewolf well. And this is, I think, my first non-US werewolf film of this blog series. UK studio, Hammer, was beginning to carve
out a solid reputation as horror filmmakers, after<i> The Curse of Frankenstein</i> (1957),
<i>Dracula </i>(1958) and <i>The Mummy</i> (1959) amongst others, and so it was only natural
to turn to the next obvious monster icon, the Werewolf. But no Christopher Lee as the titular monster here. Hammer were after younger blood for this beast.<br /></p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQZlo502s4W8hpgOjn7Br-pq_M50oZ8qizmm_RZ9zCPhSfrZhdfpTnoaeqTuuWxlkO-cP9zdIknvqwGwAYo1EbYOQDiqGBtoL4UBdUGnU9Spl31kP2Y_o34nO74h3brjDXVPcsJQDiuJc/s576/oliver+reed.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="576" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQZlo502s4W8hpgOjn7Br-pq_M50oZ8qizmm_RZ9zCPhSfrZhdfpTnoaeqTuuWxlkO-cP9zdIknvqwGwAYo1EbYOQDiqGBtoL4UBdUGnU9Spl31kP2Y_o34nO74h3brjDXVPcsJQDiuJc/w499-h277/oliver+reed.jpg" width="499" /></a></div><p></p>
<p class="MsoNormal">1961’s <i>Curse of the Werewolf</i> is another one of those films I’ve
been wanting to see since I was a kid. The images of Oliver Reed’s werewolf
were striking, with that kind of contained cruelty I felt Reed’s face contained
now fully unleashed; I always felt intimidated just by his face, no matter the
role. But this was quite the disappointment. It takes a full 50 minutes for
Reed to even appear in the film, with the first half dealing with the origins
of his characters, Leon, being born of a mute serving girl (Yvonne Romain) who
was raped by a mad imprisoned beggar, in 18th century Spain. Given sanctuary by a kindly don (Clifford
Evans), she dies in childbirth and Leon’s baptism is accompanied by lightning
and a demonic presence. This werewolf’s curse is bestowed upon his baptism, giving
the proceedings a very Catholic guilt/original sin feeling. Once again, our
werewolf has done nothing to deserve his curse, other than being conceived in
violence and born on Christmas Day.</p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi02Rpj-RZ1iu2SmEDIXEh1Exw1zFXL-PMWio6d1SuwaKu4phb8NuYitMsrpdzOgCzWFOluWtzdbfZ-M0IwpLqXafekcAnfgspi5T_joEGhv_oKszuy8W_7PJ1LmWOdfcp1N-5w59rTnQI/s550/curse-of-werewolf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="295" data-original-width="550" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi02Rpj-RZ1iu2SmEDIXEh1Exw1zFXL-PMWio6d1SuwaKu4phb8NuYitMsrpdzOgCzWFOluWtzdbfZ-M0IwpLqXafekcAnfgspi5T_joEGhv_oKszuy8W_7PJ1LmWOdfcp1N-5w59rTnQI/w503-h270/curse-of-werewolf.jpg" width="503" /></a></div><br /><p></p>
<p class="MsoNormal">What follows when Reed does turn up, is the kind of stuff we’d
expect to see far earlier in the film, giving the whole thing a very odd pace.
The first half is slow as hell while the second half feels rushed. Bright Young
Thing of the time, Oliver Reed’s performance seems dominated by histrionics and
director Terence Fisher doesn’t seem to realise the pure threat contained in
Reed’s general demeanour. Roy Ashton’s make-up allows Reed’s performance to
show through (the fur looks very different than anything I've seen so far, wiry and feral) but it’s also very blocky in its design, looking like he can’t turn
his head. It does cut a fine silhouette, though, and works well in a great close
shot where he hauls himself into a bell tower in the film’s climax. This make-up does seem more savage in its appearence to me and there is far more blood in this film than in any previous werewolf films I've watched - the BBFC were <i>not</i> happy about this film. But, <i>Curse of the Werwwolf</i>
could have been so much better with a differently structured screenplay to give
it all a bit of breathing space. As such, there’s not a great deal of tension and it's ultimately disappointing.
But it’s a Hammer film, so there is obviously an appearance from Michael Ripper, which is
always oddly comforting.</p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNF-x9meHZClWB62YhsRw2cpTINPeLcwdhiXXyV15gDZbI7M9nX-ONKxONaRPKIhqR1xVpzRHNZqWz4pLQrVx4BzQ7xyPUvUeeOS94z2EZuSxnFvCo9jhvzEja4ymrKYec-9kcwUR-9eY/s530/Curse-of-the-Werewolf-The_main.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="530" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNF-x9meHZClWB62YhsRw2cpTINPeLcwdhiXXyV15gDZbI7M9nX-ONKxONaRPKIhqR1xVpzRHNZqWz4pLQrVx4BzQ7xyPUvUeeOS94z2EZuSxnFvCo9jhvzEja4ymrKYec-9kcwUR-9eY/w500-h330/Curse-of-the-Werewolf-The_main.jpg" width="500" /></a></div><p></p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-86894228010586520292020-10-11T22:45:00.004+01:002020-10-11T22:45:46.292+01:00Day of the 50s Werewolf – 3 In A Row<p> Blimey. I managed three of the buggers in a row today. All from the 1950s.<!--[if gte mso 9]><xml>
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</p><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj73aBVaOO-1dcWbNsmTfhzecDfatMUVeowfA8K9G_C4PLwSD8DO3VRp0po0CFUsWM_eHRan2XN1wVQIkBiApyWis7GhlZEAO8ooyPgcEetlkBS7H4MyIlPi0Wl4aRLM0ckmFcVF6_Pd7I/s252/the+werewolf+poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="252" height="376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj73aBVaOO-1dcWbNsmTfhzecDfatMUVeowfA8K9G_C4PLwSD8DO3VRp0po0CFUsWM_eHRan2XN1wVQIkBiApyWis7GhlZEAO8ooyPgcEetlkBS7H4MyIlPi0Wl4aRLM0ckmFcVF6_Pd7I/w474-h376/the+werewolf+poster.jpg" width="474" /></a><i> <br /></i></div></i><p></p> Leaving behind the classic monsters of the 1930s and 40s, linear
time and all that guff dictates that we move on to the 1950s. There had been a
gap of around 8 years by the time anyone in the US seemed to think of making
another werewolf film and times had changed. The age of the A Bomb and fear of the
Red Menace had moved fantasy filmmaking into the era of classic science fiction,
and monsters still ruled the roost. But they weren’t all to be the inhabitants
of flying saucers; 1956 saw the return of the werewolf in the wonderfully titled
<i>The Werewolf</i>. It tells the tale of an apparent amnesiac who wanders into
a typical small town in the mountains (the wiki page for this film is rather overly
preoccupied with nailing down the actual locations) and gets mugged, only to turn
into a werewolf and then do what it is that werewolves tend to do best. The
locals gather round and re-enact a scene we know only too well, with dialogue
we know only too well; “His throat’s been ripped out. Only an animal could do
this sort of thing. But what kind of an animal?” Or words to that effect.
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1GiLY6X2cAPZhu0Zw5asOT2n5pSE6ZBQ2VcectTIgR5HBDxMT5sHNkgxzoQj5XxFmI0JmXCf08tkGJrdlRkCBcBtt-hqkTJjfD2XuNRc147j-GbpfbsqsAiw_2RHNz4t4oQp_Xd-YkTo/s853/The+Werewolf+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="853" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1GiLY6X2cAPZhu0Zw5asOT2n5pSE6ZBQ2VcectTIgR5HBDxMT5sHNkgxzoQj5XxFmI0JmXCf08tkGJrdlRkCBcBtt-hqkTJjfD2XuNRc147j-GbpfbsqsAiw_2RHNz4t4oQp_Xd-YkTo/w495-h279/The+Werewolf+1.jpg" width="495" /></a></div><p></p><p class="MsoNormal"> But this werewolf doesn’t rely on any curse of moonlight as
the poor sod is the survivor of a car crash who has been treated/experimented
on by a doctor who believes that the human mutations caused by the coming nuclear
bombs can only be combated by creating human/animal hybrids. So far, so The Mad
Monster. But his patient escapes, so he and his dimmer colleague set out to
kill him before anyone finds him, like a torch wielding mob…er, sorry, a bunch
of sheriffs and local hunters. There is definitely more of an air of science
fiction about this, rather than the pure horror of most previous entries into
the sub-genre, with our monsters and mad doctors given new motivations while
maintaining the werewolf’s victim status, a ’la Lawrence Talbot. It’s not
wonderful and the make up on the werewolf stretched mostly to hair and greasepaint,
with a shiny black nose painted on. And the dissolves during the transformations
are pretty poor, with the actor’s eyes and mouth shifting positions significantly,
matching not very much. But the monster was back.
</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN_QKy6iXDl4usFTJL52gGYokklPfM3o4pGmdAfTSCJEl3sTQUllb9o2USQuF4Kb27q1LFex-EtvGcrDEG7VNv6Nz0lnjTRLdhzuEBReCYbeeF_Kqvj281VXN0m4FN3HFBoMZY1cDumsU/s254/daughter+of+dr+jekyll+poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="198" data-original-width="254" height="369" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN_QKy6iXDl4usFTJL52gGYokklPfM3o4pGmdAfTSCJEl3sTQUllb9o2USQuF4Kb27q1LFex-EtvGcrDEG7VNv6Nz0lnjTRLdhzuEBReCYbeeF_Kqvj281VXN0m4FN3HFBoMZY1cDumsU/w474-h369/daughter+of+dr+jekyll+poster.jpg" width="474" /></a> <br /></div><p class="MsoNormal"> The following year saw the returning monster return to a
period piece with Edgar G. Ulmer’s <i>Daughter of Dr, Jekyll</i> (1957). A clearly low
budget creates limitations, but Ulmer’s direction tries to make the most of what
is a pretty terrible script, with some interesting dream sequences. Our lead,
Janet Smith (Gloria Talbot) and her fiancé, George, arrive at Janet’s ancestral
home, greeted by the doctor resident there, a cheerful Arthur Shields as Dr
Lomas, who gives Janet the good news that she is about to inherit the house and
a fortune. Unfortunately, she is also about to he told that she is the daughter
of one Dr Henry Jekyll, and that she may also have inherited his madness. Oh,
and Mr Hyde was a werewolf…</p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFC_yyBlCJ6ubSumGIQn8MU1pLg9nGq4hKk8ScgSfTD_p1JVtPKqPbZwZBA5TmliUy3Ucpl2IXipV7lsTHybe7qlXuNAUcsC72a4YKMn6q7nY6T7nt1JnxZNb2rSYClkkbl2LnQclTIJ0/s561/Daughter_of_Dr._Jekyll_%25281957%2529_trailer_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="348" data-original-width="561" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFC_yyBlCJ6ubSumGIQn8MU1pLg9nGq4hKk8ScgSfTD_p1JVtPKqPbZwZBA5TmliUy3Ucpl2IXipV7lsTHybe7qlXuNAUcsC72a4YKMn6q7nY6T7nt1JnxZNb2rSYClkkbl2LnQclTIJ0/w499-h311/Daughter_of_Dr._Jekyll_%25281957%2529_trailer_1.jpg" width="499" /></a></div><p></p>
<p class="MsoNormal">What the hell is going on here? Since when was Hyde a
werewolf? And since when did a wooden stake kill a werewolf? And since when did
werewolves lie in their coffins all day, looking as young as they day they
became werewolves thanks to the blood they drink? All part of the confused guff
this script adds to the mix. The word vampire is never mentioned. But Janet is
becoming convinced somehow that she is also a werewolf, and it doesn’t take long
to realise who the real culprit is and that this could also be construed as a
remake of She Wolf of London. Except with an actual werewolf.</p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAYMA8i27_gleMGagggVIg_UeEZNPcQs11Co1tkZCAyaw2Qxn7Fk_1ZFebE7qqnpGmImGV5OAcwK6uW1OOJvFF4vPpGkglNongwQ18aWTa6bphvoLL5l7gHVLWqj56N4PFyj85cmuDT9M/s498/daughter-jekyll-dream-sequence.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="270" data-original-width="498" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAYMA8i27_gleMGagggVIg_UeEZNPcQs11Co1tkZCAyaw2Qxn7Fk_1ZFebE7qqnpGmImGV5OAcwK6uW1OOJvFF4vPpGkglNongwQ18aWTa6bphvoLL5l7gHVLWqj56N4PFyj85cmuDT9M/w492-h266/daughter-jekyll-dream-sequence.jpg" width="492" /></a></div> <p></p><p class="MsoNormal"> The werewolf make-up is sparse – drawing hair on hands with greasepaint
is and <i>unusual</i> approach. The beast is featured in the opening and closing
moments of the film, breaking the fourth wall in a ridiculous manner, so there’s
not a huge amount of anticipation. A detailed but horrendously filmed miniature
of the grand house gets some serious mileage and you can even see passing
traffic in the window of the house at some points. Ulmer tries, but the limitations
here get the better of everyone.</p>
<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB9qN95_LCloVNYl2_dL9kuRJIERh68W3Oy6J5gpUl2yaEjnUrX2QaQNSEy0A7KtExeGQLM4j4P-KS_TGyt4OIINGCNCHBCjvQlJIlSNJIwjVCi7sYxz1qgNIvzmHpsMS8MbJvCL70MEI/s1491/i-was-a-teenage-werewolf-lobbycard.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1178" data-original-width="1491" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB9qN95_LCloVNYl2_dL9kuRJIERh68W3Oy6J5gpUl2yaEjnUrX2QaQNSEy0A7KtExeGQLM4j4P-KS_TGyt4OIINGCNCHBCjvQlJIlSNJIwjVCi7sYxz1qgNIvzmHpsMS8MbJvCL70MEI/w503-h398/i-was-a-teenage-werewolf-lobbycard.jpg" width="503" /></a></div><p></p><p class="MsoNormal"> Growing up in the 1970s and 1980s, Michael Landon was either
Little Joe from the never-ending 60s Western TV show, Bonanza, or he was Pa Ingalls
on Little House on the Prairie, all big hair and good advice. I guess he was
the latter for me as I remember my dad loving that show on a Sunday morning. So,
I was surprised in my early teens to discover that Landon was also a teenaged
werewolf in the coincidentally entitled B movie, <i>I Was A Teenage Werewolf</i>
(1957). Here, he’s troubled young lad Tony, who has some serious anger issues
that wind him up in the office of the respected but also completely mad Doctor
Brandon (Whit Bissell). Dr Brandon sees an opportunity in Tony’s nature to conduct
a secret experiment that will revert Tony to a feral form – another mad
scientist who wants to alter humanity to whatever reason, like <i>The Werewolf </i>(1956).
Why Tony reverts to a canine form instead of an ape is really not worth following
up. I felt sorry for his widowed father more than anyone else. The film seems
to think that single parent homes result in terrible behaviour, with the ideal
of the nuclear family being seen as more wholesome in the 50s.</p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRHHE_EaU9pFNmZzsPlYOyRhvKIvqjwkjpdLQyzi3ocCcfi-brS5P60ZoMTx_TIvp_Fuenb87ktF4j8HjaQgEnWy5VplrBT2ARj-Ms711edEjLEkJGPLhhvtZYQhW6FFfAPPBkOX7gRso/s261/teenage+werewolf+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="193" data-original-width="261" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRHHE_EaU9pFNmZzsPlYOyRhvKIvqjwkjpdLQyzi3ocCcfi-brS5P60ZoMTx_TIvp_Fuenb87ktF4j8HjaQgEnWy5VplrBT2ARj-Ms711edEjLEkJGPLhhvtZYQhW6FFfAPPBkOX7gRso/w470-h348/teenage+werewolf+1.jpg" width="470" /></a></div><p></p>
<p class="MsoNormal"> The 50s brought a lot of new fears, not just of communism
and atomic war, but of teenagers, and here that fear is not only on display for
exploitation, but it succeeded in appealing to the very people it was demonising
– teenaged moviegoers. James Dean never had it like this. And definitely never
slavered like the angry lad on show here.They overdo it on that particular front.<br /></p><p></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD8-K5JkvqdKFZ2s1KEKGTHzY4ojGpx0siw7E6WHde4BWRr3a5aQcLIJ0Mp6NIfihvSYbyHqF0PRad4Cm1YNAn_riKOWzSapo16_xmQFO9fhB3GUjG9YMuuGcvaJur8mR9RdbGs1YQ8eI/s472/top+trumps+werwolf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="472" data-original-width="316" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD8-K5JkvqdKFZ2s1KEKGTHzY4ojGpx0siw7E6WHde4BWRr3a5aQcLIJ0Mp6NIfihvSYbyHqF0PRad4Cm1YNAn_riKOWzSapo16_xmQFO9fhB3GUjG9YMuuGcvaJur8mR9RdbGs1YQ8eI/s320/top+trumps+werwolf.jpg" /></a></div> Another thing about growing up in the 80s was the card game,
Top Trumps. The horror version was really popular, and its version of the
werewolf was indeed a depiction of Michael Landon’s hairy troublemaker. It sat
alongside a T-Rex from the <i>Land That Time Forgot</i> with a suit and bow tie
as a hilariously wrong Godzilla, so it was more of the visually accurate cards. Seriously, WTF was up what <i>that</i>?<br /><p></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjCw5s3mrHBMBfuw4_5MWBVerOyx9bNXXRjPsyXPxfzVqCkMEx8dfhVc3aLqM_ae7E7ekADdTDVG5pOPb05f9zkVkfe8VfHrjJClB5xVR2-ASQllwiiQl63QO2OgbtAkjmYNhZ9AFrdgk/s640/godz_orig.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="411" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjCw5s3mrHBMBfuw4_5MWBVerOyx9bNXXRjPsyXPxfzVqCkMEx8dfhVc3aLqM_ae7E7ekADdTDVG5pOPb05f9zkVkfe8VfHrjJClB5xVR2-ASQllwiiQl63QO2OgbtAkjmYNhZ9AFrdgk/s320/godz_orig.jpg" /></a></div><p></p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-59520757782800197782020-10-10T23:22:00.007+01:002020-10-10T23:22:56.529+01:00A Last Hurrah - Abbott & Costello Meet Frankenstein.<p></p> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdVRxU2oJYlg00ga8Exg6iBODjBiMQZ8Wb4YqK61QfxdjFmTu76B1jTLk1OHRPQIYpyjv37l8i9BUI2A8493Yw6TkB_NbzRU4Y143OXnIQiResJZeid_X6YOs_UriSbqT9wOKhtu7_UG0/s1300/Abbott+and+Costello+poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1014" data-original-width="1300" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdVRxU2oJYlg00ga8Exg6iBODjBiMQZ8Wb4YqK61QfxdjFmTu76B1jTLk1OHRPQIYpyjv37l8i9BUI2A8493Yw6TkB_NbzRU4Y143OXnIQiResJZeid_X6YOs_UriSbqT9wOKhtu7_UG0/w500-h391/Abbott+and+Costello+poster.jpg" width="500" /></a></div><br /><p></p><p class="MsoNormal"> <!--[if gte mso 9]><xml>
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Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
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The last hurrah of the Universal monsters took a big risk in
going for laughs with <i>Abbott & Costello Meet Frankenstein</i> (1948) but, somehow, it works. Some weird
alchemy was at work here, in what could have been a total embarrassment for
Universal’s gallery of horrors. <i>House of Dracula</i> (1945) had left things in a
precarious position, with everything looking well past its sell by date to me, and to
end things on that note would have been
a shame; which does make me wonder about the decision to have the Wolf Man, Dracula
and Frankenstein’s Monster support arguably the biggest comedy duo in US cinema
at that time. Would they simply be there to provide laughs and be mocked? What audiences
got was a pretty well-judged balance between comedy and horror, with our
favourite ghouls played straight while the humour largely came from Bud and Lou’s
reactions as well as their usual interactions.<br /></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ-rtBqJx93Rl8q77d7C-BQTUZSw3UBfP6No4VN7Yoi71l4akFwUCOQRaD8Q_je6Vzksr1S56F8pWDjLtgl0WuSB5JXyaUYzYrJ93CveZiDTPdzEKQcZm57cTrBsuRRFJL8YHXC8SP1gg/s2000/abbott_and_costello_wolf_man_chaney.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="998" data-original-width="2000" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ-rtBqJx93Rl8q77d7C-BQTUZSw3UBfP6No4VN7Yoi71l4akFwUCOQRaD8Q_je6Vzksr1S56F8pWDjLtgl0WuSB5JXyaUYzYrJ93CveZiDTPdzEKQcZm57cTrBsuRRFJL8YHXC8SP1gg/w504-h252/abbott_and_costello_wolf_man_chaney.jpg" width="504" /></a></div> <p></p><p class="MsoNormal"> Bud and Lou play Chick Young (a name which should amuse
Scottish Football fans of a certain age) and Wilbur Gray, respectively, who
work in a parcel office. They receive two large boxes, to be delivered to the
unreasonably antagonistic Mr McDougall. Seriously, this guy shouts from the
outset, slapping Lou around and demanding they both be jailed for losing the
contents of his boxes. Boxes, we learn, which contain Frankenstein’s Monster (Glenn
Strange) and Count Dracula himself. Gone is the thin faced, totally wrong John
Carradine and returning is the original Count himself, Bela Lugosi. It’s well
known that Lugosi’s final years were marked by appearances in very poor z-grade
horror films and I feared that he might have been doing himself a disservice
appearing here, but he’s great. He knows who the stars really are and plays it
all straight and with aplomb. Of course, this is nowhere near like his original
appearance as Dracula, but he reaffirms his decades-long identification with
the role. Strange gets a bit more to do here at the end and even gets some
lines, lumbering around after our heroes. </p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFt-O8yeAwxIDO2m3qLx9k-20lzgYkhhwx-ca7FOCInf9kjalihYiYcghJSISj26Hzej_nVPRs97E-ZnJ7q8wViFfwbaMjoTW2dx8nYeg8b-kdj-DMkcBWmldNmJRcP3SU454-2TwhHko/s800/wolf+man+abott+and+costello.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="580" data-original-width="800" height="361" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFt-O8yeAwxIDO2m3qLx9k-20lzgYkhhwx-ca7FOCInf9kjalihYiYcghJSISj26Hzej_nVPRs97E-ZnJ7q8wViFfwbaMjoTW2dx8nYeg8b-kdj-DMkcBWmldNmJRcP3SU454-2TwhHko/w498-h361/wolf+man+abott+and+costello.jpg" width="498" /></a> <br /></div><p></p><p class="MsoNormal"> Lon Chaney. Jr joins in the fun as Lawrence Talbot, this
time featuring make-up from Bud Westmore, which really looks like a poorer man’s
version of Jack Pierce’s original design. While Pierce liked to build up layers
of make-up, I’ve read that Westmore was keener on larger appliances, which just
look a bit stuck on. A scene in Talbot’s apartment where he stalks an unsuspecting
Wilbur does have more of an element of scariness than they previous couple of
films in the series, but of course we know Abbott & Costello aren’t about
to get their throats ripped out. The Wolf-Man and Dracula get an expensive exit
as they plummet into the sea, with what looks like an early matte effect
folloed by an animated splash. The Count’s own animated transitions into a bat
also look far better than Carradine’s, with the animation looking far slicker. Seems
more money was spent on this one that the previous Universal monster movies.</p><p class="MsoNormal"> <br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkL9pta7LxPwjdnxeNqh4vh0be7iY9Mii058futQgF6akN7TvnTanBHNmhGQhK5HYLlCLYKJej5KL-gpOtXCtEOg7BR4WnRB02q0Lw1wJ_cn4VwdXPUfStzaIOwtDwRD8YcVgjPNq3lBM/s2048/abbott_and_costello_meet_frankenstein_universal_continuity-scaled.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1097" data-original-width="2048" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkL9pta7LxPwjdnxeNqh4vh0be7iY9Mii058futQgF6akN7TvnTanBHNmhGQhK5HYLlCLYKJej5KL-gpOtXCtEOg7BR4WnRB02q0Lw1wJ_cn4VwdXPUfStzaIOwtDwRD8YcVgjPNq3lBM/w505-h270/abbott_and_costello_meet_frankenstein_universal_continuity-scaled.jpg" width="505" /></a></div><p></p><p class="MsoNormal"> Regarded as one of the greatest horror comedies ever made,
it made me laugh a fair bit and a surprise “appearance” from another Universal
horror character in the closing seconds of the film came as a pleasant surprise,
voiced by another horror icon (no spoilers). It's not meant to be taken that seriously, but the serious approach to the monsters among the comedy lifts up what could have been an ignominious end for them. It was the end for this Holy Trinity of the Wolf Man, Dracula and Frankenstein appearing together like this, but Bud and Lou would go on to meet more of Universal's other monsters. But, since this is a werewolf thing I'm doing, those will have to wait.<br /></p>
<br />Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-40007711284617643002020-10-09T23:02:00.004+01:002020-10-09T23:06:59.156+01:00She-Wolf of London<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNT_CAYiPTvbKmHNUcKgTNZy0KoLT3M9Y0A7UDTPb1H35YgkOqmZG-jliLmDuzPc1Hi3VYz07CWeQXgKN0LFOS7UscEisB8DfXuqaJmczRrH8caZS1p2TugkCPzgjtNIoKUxVFMOiISm0/s518/swlhs.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="381" data-original-width="518" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNT_CAYiPTvbKmHNUcKgTNZy0KoLT3M9Y0A7UDTPb1H35YgkOqmZG-jliLmDuzPc1Hi3VYz07CWeQXgKN0LFOS7UscEisB8DfXuqaJmczRrH8caZS1p2TugkCPzgjtNIoKUxVFMOiISm0/w501-h368/swlhs.jpg" width="501" /></a></div> <!--[if gte mso 9]><xml>
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<![endif]--><i> </i><p></p><p class="MsoNormal"><i> She Wolf of London</i> (1946) stands as not a Universal
horror but more of a Universal period chiller. June Lockhart (she of TV’s <i>Lost
in Space</i> fame) stars as a young woman, Phyllis Allenby, about to get married to her rich
prospect, Barry (Don Porter). But her “aunt” has other ideas that involve a
series of killings in a local park, to be blamed on a werewolf-woman, or at
least someone who believes that they are a wolf, which is more relevant to the
actual real-world concept of lycanthropy, where people behave like wolves (as
opposed to becoming them).
</p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGrcCimv4_ktmMd32OGqorsm_BQMpigiYrsPJLwb9bXxEoIHP1y79dZNQm3nWXul1bw1wpGT9XIenBhOMhPu7uJuxhyiXdq2J-nCU6eXbWMikiG3veut5bJdinZVJGVHrW40JyZPyspYA/s493/lockhart+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="279" data-original-width="493" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGrcCimv4_ktmMd32OGqorsm_BQMpigiYrsPJLwb9bXxEoIHP1y79dZNQm3nWXul1bw1wpGT9XIenBhOMhPu7uJuxhyiXdq2J-nCU6eXbWMikiG3veut5bJdinZVJGVHrW40JyZPyspYA/w495-h280/lockhart+1.jpg" width="495" /></a></div> <p></p><p class="MsoNormal"> Lockhart may seem to try her best, her wide eyes emanating
mostly inert fear, but there is really not much for her character to do aside from
lie in bed as she becomes more and more isolated in her fear that she is a
werewolf. in the second half of the film, all agency is taken form her and she barely exists as a character. This fear is sparked by the supposed Curse of the Allenbys, not dissimilar to the
source of the beast in <i>The Undying Monster</i> (1942), except they dealt with a
real werewolf, whereas <i>She Wolf of London</i> is more about psychological abuse
and someone pretending to be an animal as they rip out the throats of unlucky
park-goers.</p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhskiLscTtCXhhe1mw7bu0IL1jOvI_7tgS_efpA5nV9kpkwbDMHU05E1LtIZWHlRrqR0ZAtvShqTXPMXQRj0n1mxeQdexiOP5ENxI75I6cI0e9LrXsnSuqpW__9a_YongVqxRURSG2KlJY/s493/Malyon_1024x1024.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="429" data-original-width="493" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhskiLscTtCXhhe1mw7bu0IL1jOvI_7tgS_efpA5nV9kpkwbDMHU05E1LtIZWHlRrqR0ZAtvShqTXPMXQRj0n1mxeQdexiOP5ENxI75I6cI0e9LrXsnSuqpW__9a_YongVqxRURSG2KlJY/w502-h436/Malyon_1024x1024.jpg" width="502" /></a></div> <p></p><p class="MsoNormal"> Another element this film has in common with Undying Monster is the
presence of Eily Malyon, who plays the housekeeper in both films. Her face is
amazing, thin and gaunt but she puts it to good use in both films, playing it
for deceptiveness in <i>Undying Monster</i> while playing far more sympathetic
in <i>She Wolf</i>, as she attempts to save the day. She looks a little like Ernest
Thesiger. But far less camp.</p><p class="MsoNormal"> </p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6QCCjuabRqTBjWLiVLXlh3Wa2oW5Co9yrLWcpPm_kY4McAx45CCh3wgT3mCAAs4xY62SkAF5gJcap96LTjTd5U36yh7I7PsNZCMSPAN3NIZOrFyuXdfC5BGC9-YFbxM6Eb1e7Nn-P-xE/s728/shew5.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="442" data-original-width="728" height="304" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6QCCjuabRqTBjWLiVLXlh3Wa2oW5Co9yrLWcpPm_kY4McAx45CCh3wgT3mCAAs4xY62SkAF5gJcap96LTjTd5U36yh7I7PsNZCMSPAN3NIZOrFyuXdfC5BGC9-YFbxM6Eb1e7Nn-P-xE/w502-h304/shew5.jpg" width="502" /></a></div> <p></p>
<p class="MsoNormal"> For a B film, it’s running time is as brief as just about
all of the films in this blog series so far, and the production design is
stretched, featuring some decent period costumes but a location that couldn’t be
further from London if it tried. Direction from Jean Yarborough feels a bit staid,
but there is a bit of flourish in the film’s climax, with tilted angles telegraphing
that the villain is about to not only be revealed but engage in monologing that
buys our heroine far more time. Scenes in the dark and misty park have a stage
bound feel, even with the mysterious hooded wolf-woman swooping through the brush. There could be more to be made of the story's gothic drama potential, but everything seems limited. A scene where Phyllis finds blood n her hands is a it confusing as the blood can barely be seen at all, so pulled back is the actual horror element.<br /></p><p class="MsoNormal"> It’s all a bit boring really, and could maybe have gone that little bit further
in what could have been an interesting commentary on what women of a certain
class who wished to retain their lifestyle may have had to do in order to
survive and remain solvent when there was no man to support them and a career
was off-limits. A bit of a shame on that front.</p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-33378384678795724392020-10-08T21:38:00.003+01:002020-10-08T22:31:17.255+01:00(More) Houses of Horror, Universally Speaking Part 2<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBtIxbT5U0y78Czxf4K9RUwQ5XSCGivxDphgW1IOb2W0kYwgKL2iEXyoac08AFDfP-Jgl1QY8b2B-oh0XXrXJQQvkC8Tiem0COn1V_2i6J4aEQ868QaR6V8dHzF3nNkENZ-O08JbFS5Q8/s2048/house_of_dracula_poster_03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1605" data-original-width="2048" height="411" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBtIxbT5U0y78Czxf4K9RUwQ5XSCGivxDphgW1IOb2W0kYwgKL2iEXyoac08AFDfP-Jgl1QY8b2B-oh0XXrXJQQvkC8Tiem0COn1V_2i6J4aEQ868QaR6V8dHzF3nNkENZ-O08JbFS5Q8/w524-h411/house_of_dracula_poster_03.jpg" width="524" /></a></div> <br /><!--[if gte mso 9]><xml>
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</xml><![endif]--><i> House of Dracula</i> (1945) is not great. It’s creaky as
hell, but at least there’s more Dracula and he is integral to the plot, until
he’s done away with. A film of two distinct halves, for sure. Earl C. Kenton
returns to direct one of the last (if not <i>the</i> last) films of Universal’s
horror/monster cycle. His direction doesn’t seem quite as assured as his
previous entry, <i>House of Frankenstein</i> (1944), and this one seems to resurrect
all three monsters without any explanation. When we last saw them, Dracula had
come a cropper off a horse drawn coach and shrivelled in the sunshine, the
Wolfman was shot "dead" with a silver bullet by his love, and Frankenstein’s monster
sank into quicksand. At least we get a little hint of the Monster’s fate when
they discover his corpse in a cave, along with the skeleton of Boris Karloff’s
Dr Niemann. How they got from quicksand into a rocky cave is…ah, why should we
ask? I do ask, why Dracula is even looking for a cure to his vampirism, especially
when he has no compunction at seducing another victim and then turning the
tables on the doctor trying to cure him.<p></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuhTqUSJ8-G4cbkoZEOGiKQy_ZuJWw0mZNgrkUUPMegaDWoedsnDX8AU-FNyFMrKaAw-CF4H43XkOpNjvZwMAGhl3oE0nJQtCZ46ZIh6mZcTiltIpqbQCqbNVfAJZjRDs2QyyhUTzrwG4/s720/Carradine+Dracula.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="528" data-original-width="720" height="367" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuhTqUSJ8-G4cbkoZEOGiKQy_ZuJWw0mZNgrkUUPMegaDWoedsnDX8AU-FNyFMrKaAw-CF4H43XkOpNjvZwMAGhl3oE0nJQtCZ46ZIh6mZcTiltIpqbQCqbNVfAJZjRDs2QyyhUTzrwG4/w499-h367/Carradine+Dracula.jpg" width="499" /></a></div><p></p>
<p class="MsoNormal"> Driven by either co-incidence, or the unspoken fact the
Onslow Stevens’ Dr Edelman is clearly a magnet for monsters who seek to be free
of the respective curses, the film focuses on the good doctor, until a ropey
blood transfusion involving Dracula, turns him into more of a Mr Hyde, jumping
between good and bad incarnations as he either tries to save Lawrence Talbot
(his curse is actually pressure on the brain…) or resurrect Glenn Strange’s
Monster. It seems he’s successful with the former, but things go awry when the
Monster witnesses Edelman murdering his hunchbacked assistant, Nina (Jane
Adams). Scoliosis seems to be quite the rage in Visaria, even if Nina’s own
affliction looks remarkably convincing as a real case of scoliosis. In the
ensuing chaos, guns are fired and the mob attends with the usual aplomb;
Skelton Knaggs (possessor of one the greatest names in film history) gurns and
grimaces his way through it as leader of the mob. Universal stalwart, Lionel
Atwill, in one of his final roles, gets a dynamic send off when he’s thrust
into an electrical circuit, but the castle falls prey to the usual destruction</p><p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj479ruwenVbA09OE6HRNf1Ca4NJXuYmtrkhkkNGzcZ-lWy2I88sD1mqU7RB2YXDZEEGoKjAUOd1Ib1jtW_67W00D70becfI_Zzsas6SK-YRrtw6LhTAYRAI4_Lo9yVjJmsYnmFocWfMfk/s1300/Wolf+Man+HoD.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="730" data-original-width="1300" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj479ruwenVbA09OE6HRNf1Ca4NJXuYmtrkhkkNGzcZ-lWy2I88sD1mqU7RB2YXDZEEGoKjAUOd1Ib1jtW_67W00D70becfI_Zzsas6SK-YRrtw6LhTAYRAI4_Lo9yVjJmsYnmFocWfMfk/w499-h281/Wolf+Man+HoD.jpg" width="499" /></a></div><p></p>
<p class="MsoNormal"> In terms of the Wolf Man, there is some fun to be had but
not as much as usual. What differs is his initial transformation in a police
cell is witnessed by the other characters, leaving his curse in no doubt to the
others. There is the usual scene of Talbot sitting in a garden, bemoaning his
curse as the attractive female lead finds him, sits down and pours pity on him. All getting a bit samey. Chaney first turns up dressed very differently than in previous entries, looking almost like a London spiv from the Second World War, black shirt and white tie and moustache. Story goes that Chaney was drinking a lot during this shoot and got Glenn Strange hammered when he had to lie down in the freezing cold for an extended period (I would presume it's during the scene in the cave where they find the Monster). Convinced booze would warm him up, Chaney slipped him booze throughout the day. Once the scene was in the can, Strange was so pished he couldn't stand up.<br /></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn2k4WphagxBAqS93YexM3IsNEfPxMhUF9zyZjeO9SV9gyGb7ok5Wrb7AXKruK9XO8kPXiUagHdcZ1gxj71i2KLDj_sc-r4MPjHIpRO5zCeLj9wyzaeQn9lm58uXJ-1kDcJJcLjdKon_M/s720/Chaney+Gun.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="528" data-original-width="720" height="364" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn2k4WphagxBAqS93YexM3IsNEfPxMhUF9zyZjeO9SV9gyGb7ok5Wrb7AXKruK9XO8kPXiUagHdcZ1gxj71i2KLDj_sc-r4MPjHIpRO5zCeLj9wyzaeQn9lm58uXJ-1kDcJJcLjdKon_M/w496-h364/Chaney+Gun.jpg" width="496" /></a></div> <p></p><p class="MsoNormal"> Speaking of Strange, Frankenstein’s Monster is given particular short shrift, only coming to life in
the film’s final moments. The poster has the same rogue’s gallery as the previous
film to invite the audience, just with a few different faces with the same
labels. But it feels like it’s all run its course here. The end was surely in
sight for the Universal Monsters…
</p>Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-20858539009212303042020-10-07T22:46:00.007+01:002020-10-08T16:02:44.565+01:00Houses of Horror, Universally Speaking: Part 1.<p class="MsoNormal"><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQHpQ2sjhb4a8L-_38BpUBa0vgHb7AZksvy5xylKeleBO4mlwOew3uTDkouv1WLBqkE_NNDGu8zA07fhUtnb70Zi5z_zyc6vnfcitHzjQhK7Duv6jkTc0hiurRZlyAsgGKeesCK9Do5HA/s2048/House+of+Frankenstein+poster.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1596" data-original-width="2048" height="448" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQHpQ2sjhb4a8L-_38BpUBa0vgHb7AZksvy5xylKeleBO4mlwOew3uTDkouv1WLBqkE_NNDGu8zA07fhUtnb70Zi5z_zyc6vnfcitHzjQhK7Duv6jkTc0hiurRZlyAsgGKeesCK9Do5HA/w576-h448/House+of+Frankenstein+poster.jpg" width="576" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Misleading poster - no beard on this film's Hunchback!<br /></td></tr></tbody></table><br /> <!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
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<![endif]-->I found <i>House of Frankenstein</i> (1944) to be a bit of a
delight. I was cautious after previously only lasting around 10 minutes when
watching <i>House of Dracula</i> (1945) a few years ago. Some of my
students are fanatical about the current shared Marvel Cinematic Universe - I
had great fun and some real nostalgic kicks myself when I saw superheroes from my childhood together in <i>Marvel’s
Avengers</i> back in 2012 – and so they have a bit of an awakening when I tell
them that it was Universal Pitcures who came up with the idea of a shared universe on film 70
years earlier. <i>House of Frankenstein</i> was to horror icons what Thanos’
hunt for Infinity Stones is to superhero movies. And what brings this film to my werewolf list is the presence of one Lawrence Talbot. The events of <i>Frankenstein Meets the Wolf Man</i> (1943) are directly referenced here, making this a direct sequel to that the the previous <i>Wolf Man </i>(1941) and this pretty much a set of movies all connected by the life and fate of Chaney's Wolf Man.<br /><p></p>
<p class="MsoNormal">Director Earl C. Kenton keeps things moving along nicely,
with some engaging direction. Karloff’s own entrance is great, as his arm whips
from a prison cell to strangle his jailor. There is a lot of fun to be had here
and Kenton knows exactly which world we’re in. There's a great stunt moment where J. Carrol Naish's hunchback falls beneath some loose rocks in a cave, mid-dialogue and wonderfully timed, well into the shot. And of course there's some juicy, fun dialogue through the proceedings as well.<br /></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEionr_f4dMM9ueG2WBEjM1694tg3bLajztwdAm7QdLTY6fNh-8oRkeTGLn7afVJD-18rzr8JfC_RfENud31d1GsaLgKkVb2HO-Ifvu_7C9ovYVbDYGY7V5nsJW6vIb8v2xGvGsE5XHemtA/s490/House-of-Frankenstein_06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="376" data-original-width="490" height="449" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEionr_f4dMM9ueG2WBEjM1694tg3bLajztwdAm7QdLTY6fNh-8oRkeTGLn7afVJD-18rzr8JfC_RfENud31d1GsaLgKkVb2HO-Ifvu_7C9ovYVbDYGY7V5nsJW6vIb8v2xGvGsE5XHemtA/w584-h449/House-of-Frankenstein_06.jpg" width="584" /></a></div><br />Yes, it’s immensely silly and the part with Dracula seems
tacked on to the beginning as he seems to be there to simply get the mob off
the tail of Boris Karloff’s splendid Dr Niemann and his sympathetic hunchback
assistant, Daniel (J. Carrol Naish). The entire sequence featuring Dracula and
his intended victim is interesting but seems like a separate little film of its
own, and once the Count is dispatched the other relevant characters, including
Universal Horror stalwart Lionel Atwill, are never seen again. I never bought
John Carradine as Count Dracula. Maybe it’s the ‘tache. Or the top hat. Or he just doesn;t suit the role? There
are some decent shots of his shadow transforming into a bat; it appears this
iteration of the Count prefers to use his bat form to feed on the less attractive
male characters, like the true vampire bat. <br /><p></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTXmDcORuQjje6JOrc0u6B7snM_gSo2azYTXA9NunQGJheDZWtf8ZWRJDy-Pi2mGVqJd21SO4Tir3A-H70cQ4jMN_UXlpIh0eaMcusts2Hm6gN76VdLUzkEM8A2HG2BvRacVX8niBR3Gc/s1439/0+JXPcBxeTj0XNJIRM.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1439" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTXmDcORuQjje6JOrc0u6B7snM_gSo2azYTXA9NunQGJheDZWtf8ZWRJDy-Pi2mGVqJd21SO4Tir3A-H70cQ4jMN_UXlpIh0eaMcusts2Hm6gN76VdLUzkEM8A2HG2BvRacVX8niBR3Gc/w581-h436/0+JXPcBxeTj0XNJIRM.jpg" width="581" /></a></div><p></p><p class="MsoNormal"> The evil Dr Neiman seeks to recover the records of the late
Dr Frankenstein so he might continue and improve on his work on resurrecting
the dead. Or more like a chain reaction of brain transplants – it does get a
little bit difficult to remember which brain is going into what body later o in
the film, to the irritation of Lon Chaney Jr’s recently defrosted Lawrence
Talbot, found alongside the also frozen Frankenstein Monster, this time played by
the giant Glenn Strange, who we recently watched in <i>The Mad Monster</i> (1942).
I’d spent many years being a bit cynical about Strange as the monster but he
does well, certainly better than Lugosi (as of this writing, I am still to see
Chaney’s take on the character), evoking more empathy for the Monster than anyone
since Karloff. They may have dropped in one or two of Karloff’s snarls from the
first two James Whale films. Another cast member from that Poverty Row effort
is George Zucco, here playing Professor Lamprini. Or he does for a short scene
before Karloff does away with him and assumes his identity. The entire opening
sequence of the film does give us some characters which seem to be cast aside
early on. <br /></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRIaWoCf8qIat0NfjWDGvXca1V-eH8QlnJUMlT4Fw7P6tYU-87nwLAbJHO_qmLWmiLVLGX2keNGHQoqpSGyhb3lxIKqbOAomc4VsPBvR0IxuHUs0UyP-YOD7Ts5OxKx67ygkgG92iKbkk/s530/House-of-Frankenstein_main-530x350.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="530" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRIaWoCf8qIat0NfjWDGvXca1V-eH8QlnJUMlT4Fw7P6tYU-87nwLAbJHO_qmLWmiLVLGX2keNGHQoqpSGyhb3lxIKqbOAomc4VsPBvR0IxuHUs0UyP-YOD7Ts5OxKx67ygkgG92iKbkk/w597-h394/House-of-Frankenstein_main-530x350.jpg" width="597" /></a></div><p></p>
<p class="MsoNormal">And so, we once again encounter Lawrence Talbot and his
impatient desire to die and be free of his curse. His pleas are met with broken
promises by Karloff’s mad scientist, while the hunchback Daniel’s gypsy*
travelling companion, Ilonka (Elena Verdugo) falls for the tall and tragic “Larry”.
Jealousy ensues, with Daniel now developing a hatred of Talbot and the
Frankenstein Monster as Neiman’s promise to fix his physical deformity have
been cast asunder in favour of darker experiments. A neat little moment where
Daniel takes his temper out on the Monster brings back memories of Dwight Frye’s
original hunchback assistant, Fritz, torturing Karloff’s Monster in the original
Frankenstein (1931). But here, instead of blind hate, there is some
understanding of where his violence comes from.</p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTVw8yv-tnP8sqM9yB4ulbEJmvBgg6aLRXgZQGHKCAEXBPzRYQlkj6XDcCgPCypE1cumfw6RwHBpLKsqQgBkbMhRcZsJJ7y-0U-e0cmOjuk9LGgtv7Hf-cq_eDFTuLTdkUt5PLXrAcwec/s259/HoF+Wolf+Man.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="194" data-original-width="259" height="427" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTVw8yv-tnP8sqM9yB4ulbEJmvBgg6aLRXgZQGHKCAEXBPzRYQlkj6XDcCgPCypE1cumfw6RwHBpLKsqQgBkbMhRcZsJJ7y-0U-e0cmOjuk9LGgtv7Hf-cq_eDFTuLTdkUt5PLXrAcwec/w569-h427/HoF+Wolf+Man.jpg" width="569" /></a></div>
<p class="MsoNormal">We have an interesting and different take on Talbot’s transformation
into the Wolf Man, as we follow his footprints change from human to werewolf in
the mud as he takes off into the night. Another full-face transformation is
also terrific, with Jack Pierce’s make up looking even better.
</p><p class="MsoNormal">Of course, it all ends in tears, as lovers destroy each
other and Daniel is tossed from a window like a ragdoll by the Monster, before the
mob chase him down as he carries the wounded Neiman off into the woods, only to
be swallowed up by quicksand. Cue credits. A top time has been had. It;s a bit strange how thes emovies often have no coda. Monsters are despatched and then it's immediately all over.<br /></p>
<p class="MsoNormal">This has also encouraged me to try watching <i>House of Dracula</i>
again. Let's see what happens…
</p>
<p class="MsoNormal"><i> </i></p><p class="MsoNormal"><i>*Any uses of the word “gypsy” by me in these blog entries
are not intended to be offensive but reflect the simple-minded portrayal of
Romani culture of the time and tone of the films.</i></p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-90272733334548536912020-10-07T00:30:00.007+01:002020-10-07T00:33:50.091+01:00Cry of the Werewolf. A Hard Pass.<div class="separator"></div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9RKYdMZsTDLzyMutLz6jgBU4t0YocmxWwxYWiao9hcwwvqZjD2U55R80t4dnIKmQDj8xphfGsL2g4Es1Hf3YvpNwN8ZmJh9Fc2O1d-4fsAA7FTDjtU0XAPUpMr8wxat558nuqBdFnMpI/s730/cry+of+the+werewolf+poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="583" data-original-width="730" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9RKYdMZsTDLzyMutLz6jgBU4t0YocmxWwxYWiao9hcwwvqZjD2U55R80t4dnIKmQDj8xphfGsL2g4Es1Hf3YvpNwN8ZmJh9Fc2O1d-4fsAA7FTDjtU0XAPUpMr8wxat558nuqBdFnMpI/w494-h395/cry+of+the+werewolf+poster.jpg" width="494" /></a></div> <!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
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<p></p><p class="MsoNormal">I can’t say I wasn’t warned about Cry of the Werewolf (1944). </p>
<p class="MsoNormal"></p><p></p>
<p class="MsoNormal">No curses here, but a gift of sorts, passed on not from a
bit but from mother to daughter among a mysterious gypsy “tribe”. A nasty sense
of the Other lingers with the use of that word, and that’s not all of the
problems with this werewolf movie.</p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcz2E6VCx1_sMps2ODLjkX2eBp9lUFdJBecXGmUwreNi9Z7r3NHMuij-VonfNhLzAjpPCcOYgP9XS4vyI3_gWajcr65rwKLSD46WJqtKFIdOoBLj3yAdYfHYyU3z1h_2cLh1LuH96yaN0/s800/CryOfTheWerewolf+%252818%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="369" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcz2E6VCx1_sMps2ODLjkX2eBp9lUFdJBecXGmUwreNi9Z7r3NHMuij-VonfNhLzAjpPCcOYgP9XS4vyI3_gWajcr65rwKLSD46WJqtKFIdOoBLj3yAdYfHYyU3z1h_2cLh1LuH96yaN0/w492-h369/CryOfTheWerewolf+%252818%2529.jpg" width="492" /></a></div><p></p>
<p class="MsoNormal"></p><p> A professor is ripped to pieces by a strange animal one
night, at the museum dedicated to the memory of a woman named Marie La Tour.
Who is Marie Le Tour? She’s revealed to be the mother of the central antagonist,
the princess Celeste (Nina Foch), who is hell bent on killing anyone who knows about the
tomb of La Tour, now discovered within a secret room in the house/museum. Why is any
of this important?<span style="mso-spacerun: yes;"> </span>I literally have no
idea. Burt an investigation ensues on two fronts; one from his son Robert (Stephen
Crane) and his fiancé and museum worker Else (Osa Massen) and the other from
apparent racist and misogynist Lt. Lane played by Barton MacLaine, who seems to
be the only actor having anything close to fun here, even if his character is
obsessed with either pinning the murders on either a woman or a foreigner. Some of the
most comically inept police are onscreen here. The entire cast of pretty much
awful, with Crane a particular block of wood - it's been a while since I've seen a performance this bad in a studio picture. Thanks, Columbia.<br /></p><p> The dialogue is confoundingly
bad, with such clangers as “I’ve been spending some very interesting moments,”
courtesy of screenwriters Charles O’Neal and Griffin Jay. Henry Levin’s direction
is clunky and uninspired, and nothing seems rehearsed or planned. In fact, even
though there are deaths and investigations and court scenes, nothing much seems
to actually happen. The pace is slow as the story blunders on through its
mercifully brief 63-minute running time. <br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLwxqe9tBayuWrqx0_b6ZYh4fyWB-JRvls_gg5Bk-hRkwuPb5Ng749F2jpBNtBaaCvAiHm2jRUjzYE_dvMHKzlxXMUYpvV51pbYiO1ek_ANWUMwNtMB_1sbarfxTDy_P4RcVWBdNNdjMg/s480/Cry_of_the_Werewolf_phot.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="366" data-original-width="480" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLwxqe9tBayuWrqx0_b6ZYh4fyWB-JRvls_gg5Bk-hRkwuPb5Ng749F2jpBNtBaaCvAiHm2jRUjzYE_dvMHKzlxXMUYpvV51pbYiO1ek_ANWUMwNtMB_1sbarfxTDy_P4RcVWBdNNdjMg/w496-h379/Cry_of_the_Werewolf_phot.jpg" width="496" /> </a> <br /><div class="separator" style="clear: both; text-align: center;"></div></div><p></p>
<p></p><p class="MsoNormal"> And the we come to the titular werewolf, which does cry a
bit and is even revealed in the film’s opening credits to be a German
Shepherd
with something like string in its mouth to make it…well, I don’t quite
know
what. It chews a bit. It just looks like a big dog with something tied around its snout.
In the
film, its appearances are mostly and wisely reduced to shots of its paws
and
legs as it casually trots after another victim. The transformations are
also
pretty shocking, as we witness Celeste’s shadow end down a bit, as
though she’s
changing, and then dissolving to the silhouette of a cardboard cut-out
of a
wolf that doesn’t match the actor’s shape or even her position in the
frame. Put simply, it's a dog. There could be something interesting to
say regarding actually taking the form of a dog as opposed ot the
human/wolf hybrids we normally associate with the sub-genre, but there's
nothing of substance to be had here. Even during the climax, the filmmakers can't be bothered to get the angle right when dissolving from Celeste's bloody hand to her bloody paw.<br /></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGynbY1g5rcUVYHagahsZ4UxpGRLF4DaflTRmpdOPLK8cwS5ZNkTdmarf0RM4K6UPsYr_j97AmsG8FleSTh0bJsAY6ycW9ExgzK7oz-8tTnxuxCOfCU_S0AmGSc0BFHsIbzyiTqcxJTeo/s496/vlcsnap-2020-10-07-00h22m07s654.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="496" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGynbY1g5rcUVYHagahsZ4UxpGRLF4DaflTRmpdOPLK8cwS5ZNkTdmarf0RM4K6UPsYr_j97AmsG8FleSTh0bJsAY6ycW9ExgzK7oz-8tTnxuxCOfCU_S0AmGSc0BFHsIbzyiTqcxJTeo/w487-h353/vlcsnap-2020-10-07-00h22m07s654.png" width="487" /></a></div><br /> The story doesn’t make a lick of sense and the characters
just do what’s required of them. Neither is there much scariness either, apart
from an attempt at such during a scene in an underground mortuary which is squandered
– how can you not make that scary? This feels more of an attempt to match RKO’s
<i>Cat People</i> (1942) but it fails miserably.
<p></p><p class="MsoNormal"> I should have listened to David Cairns at <a href="https://dcairns.wordpress.com/" target="_blank">Shadowplay</a>. <i>Cry of
the Werewolf</i> is rubbish.
</p><p class="MsoNormal"> </p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-40716527262782440002020-10-05T21:13:00.003+01:002020-10-05T21:14:46.944+01:00The Big Dookeroo!<p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEVZ2mS_JBhxMw_FNbg0Xy13d5n52v864yDjqcD-R8wx7ibpKwN1dHUuUFx73JmMRWSMdFiaaX30HjljwFSUwv6IDtP9PUh5o51_L0nv86NhgrqOQQFvNaMV53qNXMdo5PkO9_a9Ek5kw/s292/F+Vs+WM+Poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="173" data-original-width="292" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEVZ2mS_JBhxMw_FNbg0Xy13d5n52v864yDjqcD-R8wx7ibpKwN1dHUuUFx73JmMRWSMdFiaaX30HjljwFSUwv6IDtP9PUh5o51_L0nv86NhgrqOQQFvNaMV53qNXMdo5PkO9_a9Ek5kw/w484-h287/F+Vs+WM+Poster.jpg" width="484" /></a></div><br /><!--[if gte mso 9]><xml>
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<![endif]-->Two titans of horror go toe to toe in a terrifying supernatural
battle!<p></p>
<p class="MsoNormal"> Kind of. <i>Frankenstein Meets the Wolf Man</i> (1943) does
appear to mark the first crossover between two different film properties/characters
but it’s a bit of a disappointment when it comes to any shared scenes or battles
between the two monsters. That being said, it’s no <i>House of Dracula</i>, for
which we should be thankful, and it does offer a decent bit of horror hokum.
George Waggner this time produces, as he would for the next few instalments, with
direction now from Roy William Neill, who deals with the proceedings pretty
well. Gone are Waggner’s foggy woods, replaced by the environment of
Frankenstein, but without James Whale’s expressionist lens.
</p><p class="MsoNormal"> His tomb opened up by grave robbers, it turns out that
Lawrence Talbot is not dead after having his head stoved in by daddy, Claude
Rains, in the previous film. He’s lain dormant for four years and is now
looking for a way to die and be released from his curse. So, the very weapon he
used to kill Bela Lugosi’s werewolf failed to kill him, with no explanation
other than, “I can’t die!”
</p><p class="MsoNormal"> I think Chaney is better here than in his debut as the Wolf
Man, eliciting more sympathy now as the tragic Talbot. His quest takes him to a
remote village somewhere in Europe where he has tracked down the old gypsy
woman, Maleva, from the previous film (Maria Ouspenskaya). Again, Ouspenskaya brings
some dignity and genuine sympathy to the proceedings, and she knows a man who
might be able to help Talbot achieve his dream of dying. They travel to a small
village, which looks remarkably like the very same “Welsh” village Talbot
called home; the Universal backlot saw a lot of action in these films. Entering
an inn, where every head turns to view them with suspicion, the sheer mention of
the name Frankenstein is met with hostility. </p><p class="MsoNormal"> Not long after, Talbot falls prey to the curse once again
and flees from Maleva as he transforms. She calls after him to stay and he
turns and snarls before heading into the woods – why he didn’t see he had a
quick victim right there in front of him I do not know. Consequently, a young
girl dies, and we are granted a restaging of the famous scene form James Whale’s
<i>Frankenstein</i> (1931), where the father of the young girl mistakenly drowned
by the Monster cradles her as he mournfully walks up the street. Only this
time, this father has a ready-made mob backing him up from the get-go. Add in
Dwight Frye as a villager (in one of his final roles) and it’s starting to look
more like a Frankenstein film after all. Talbot finds his way into the cellars
of the old castle (after another round of creepy behaviour with Baroness
Frankenstein to get some info) and discovers the Frankenstein Monster entombed
in ice. Ice and snow, underneath a castle, with no apparent cold weather up
above. What kind of weather systems operate in this crazy crossover world? Ah, it’s not worth thinking about. This will never live up to its
predecessors, so I just sit back and have fun with it all.
</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXqqgZ8JqMIBFwYA-dmU7PPNMTcegIZ9WJem45ypYo6AihWqxfFxPYhG8_HT0xVRnjNFvSRCje4O7WU6y0A2tC2WjUw_Ku22Tt-4isI-maBH7CnKyv9IEkiSRwYveKlIbk_K1gjkPjVYw/s512/Frankenstein+Ice+Man.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="376" data-original-width="512" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXqqgZ8JqMIBFwYA-dmU7PPNMTcegIZ9WJem45ypYo6AihWqxfFxPYhG8_HT0xVRnjNFvSRCje4O7WU6y0A2tC2WjUw_Ku22Tt-4isI-maBH7CnKyv9IEkiSRwYveKlIbk_K1gjkPjVYw/w480-h353/Frankenstein+Ice+Man.jpg" width="480" /></a></div><p class="MsoNormal"> As we expect, the Monster is released, this time played by
Bela Lugosi, after he initially turned the role down for the first film. I’ve
not watched <i>Ghost of Frankenstein</i> (1942) yet, so I don’t know how
effective Chaney was as the Monster, but Lugosi gives it a decent go, wandering
around with arms outstretched. I mean, he’s alright, I suppose. I read that he
had some lines in his native accent, but they were cut after being laughed at, so
we don’t know he’s blind, apparently. That would explain the cliched staggering
around which became synonymous with the role later on. He "raars" a bit but gone is the empathy one felt with Karloff's Monster. Now, he's just a monster, small "m", who Talbot leads around like a dog and master.
</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia5bsabALooA0LwIYxMj3PByBTcnLRgjDFf__cRhzN7WqFzEg10rOqTePpHnsWJUtULgq0JaeQ25WpcPbwCX25Oloja5dfmQ_lgh6j2lMQYTaXnseqK2qVzypNdqLHZ-BMUy1IC-Ikpu0/s600/frankenstein-meets-the-wolf-man-1943-werewolf-transformation-scene-larry-talbot-lon-chaney-jr-make-up.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="427" data-original-width="600" height="350" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia5bsabALooA0LwIYxMj3PByBTcnLRgjDFf__cRhzN7WqFzEg10rOqTePpHnsWJUtULgq0JaeQ25WpcPbwCX25Oloja5dfmQ_lgh6j2lMQYTaXnseqK2qVzypNdqLHZ-BMUy1IC-Ikpu0/w491-h350/frankenstein-meets-the-wolf-man-1943-werewolf-transformation-scene-larry-talbot-lon-chaney-jr-make-up.jpg" width="491" /></a></div><p class="MsoNormal"> There are some good werewolf transitions again, with Jack Pierce's make up looking even better, and Patric
Knowles, seen as the blank faced love interest in <i>The Wolf Man</i>, appears again this time as Talbot’s doctor who gives in to scientific curiosity
and empowers the Monster instead of destroying it. It seems scientists are doomed in these films.<br /><br /></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZJSUPbsjsfC54kRRwDDvehkARlVZYsB2YCkAvuXN9Jhik9vhFOPZp-BWBa0NT6XS8kSP9iqUKIem1XoA2JDAC4O3mLIdUwjiGHNyQFJyBLW7pEeFMrKmFdxb0WDu2TdtwTUJ3YIZLPWw/s710/frankenstein-wolfman-feat.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="710" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZJSUPbsjsfC54kRRwDDvehkARlVZYsB2YCkAvuXN9Jhik9vhFOPZp-BWBa0NT6XS8kSP9iqUKIem1XoA2JDAC4O3mLIdUwjiGHNyQFJyBLW7pEeFMrKmFdxb0WDu2TdtwTUJ3YIZLPWw/w494-h278/frankenstein-wolfman-feat.jpg" width="494" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrOYUyMT1X6t_KMVNbRdwVjTHY84ub8adAlkQfss5m74DTBumclDBoTe2saEYeAiIoI8-GpBoEPMmSd7Qg7wRbtcyvDTqPxdZyix-psT74E7KMFxidIHISIKV5-NYNDxylmCkfAAILU6Q/s1800/F+Vs+WM.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div><br />. The moment we’ve all been
waiting for follows as the Monster breaks free, intent on abducting Baroness
Frankenstein, while a convenient full moon, shining through a convenient window
transforms Talbot into the Wolf Man once again and they fight for a bit before
they are both washed away in flood water after a zealous villager blows up the
dam powering the lab. The lab scenes are not bad, with the usual Tesla coil jiggery-pokery.
But the end comes very quickly, without even any kind of coda as “The End”
appears as the waters rage.<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrOYUyMT1X6t_KMVNbRdwVjTHY84ub8adAlkQfss5m74DTBumclDBoTe2saEYeAiIoI8-GpBoEPMmSd7Qg7wRbtcyvDTqPxdZyix-psT74E7KMFxidIHISIKV5-NYNDxylmCkfAAILU6Q/s1800/F+Vs+WM.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1012" data-original-width="1800" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrOYUyMT1X6t_KMVNbRdwVjTHY84ub8adAlkQfss5m74DTBumclDBoTe2saEYeAiIoI8-GpBoEPMmSd7Qg7wRbtcyvDTqPxdZyix-psT74E7KMFxidIHISIKV5-NYNDxylmCkfAAILU6Q/w485-h273/F+Vs+WM.jpg" width="485" /></a></div><p class="MsoNormal"> The finale is a bit rushed, and the
Frankenstein Monster isn’t even seen until fairly late in the film, which feels
a bit of a cheat given the order of the names in the film’s title. To that end,
it definitely feels like more of a Wolf Man film. It’s not up there with its
predecessors, but it sets the tone for what’s to come.
</p><p class="MsoNormal"> </p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-26416546176141697462020-10-04T23:13:00.001+01:002020-10-04T23:20:37.617+01:00Undying Werewolves Dying<p class="MsoNormal"> <br /></p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="196" data-original-width="257" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYHc2ZFX6GBgxeVZbpl308GZECNf52seYeVrWkHrD80W9ihWPZpWZxq3u5PRGBMeh7Ta2LEL9Qd7rYbx46m4yu6vqPTrh9n8H9ySF3OD2bBFJLqhM0yMC8GeJqZaaknPOEAYLWYa51Yyk/w466-h355/Undying+Monster+poster.jpg" width="466" /></div><br /><br /><!--[if gte mso 9]><xml>
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</xml><![endif]-->As the next werewolf film on my schedule, <i>The Undying
Monster</i> (1942) is certainly a step up in quality after <i>The Mad Monster</i>
(also 1942). From cheapie to something with a better sense of production design,
atmosphere, and budget. But it still shares Mad Monster’s genesis in being a
reaction to the success of <i>The Wolf Man</i>. Such is Hollywood.<p></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="240" data-original-width="320" height="369" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSFYNQa9BRYdXpA0EBRlUuWdlNjR1pFTbVYr0TJl9CxdFpsCba-3s3W7DLk2AJLNZ1BB9QYCfcsbra_LNO6XudAT1Vr7gswpMIMfloCOJ-h9RdspcyIaRWBH9TH2iuJrN4tjrosEC-VM0/w492-h369/undying-monster-3-our-first-sight-of-curtis.jpg" width="492" /></td></tr><tr><td class="tr-caption" style="text-align: center;">We know he's clever because of the pipe, you see?<br /></td></tr></tbody></table>
<p class="MsoNormal">Made by 2Oth Century Fox (RIP), it’s an adaptation of the
book by the same name (the film also goes by the title <i>The Hammond Mystery</i>) and is more of a Gothic mystery mixed with some scientific
detective work, featuring what seems to be an early version of a spectrometer,
which leaves the ending of the film a little out there and unsatisfying. There
is indeed a werewolf, but only really in the film’s closing minutes. The
identity of the beast is pretty obvious from the outset of the film, with an
attack at the very beginning that leaves two injured and a poor spaniel torn to
pieces – a real, dead spaniel by the looks of it as well.</p>
<div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="409" data-original-width="728" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuC3nIx2jXQUsJe-LDPE2xt8Hu5QfM5jJfgVpjYP6Hj_JJg71NKKGlFcO8IxUjdTyoXqmR0ft4TwYGrkrM8aWjpOhmXj4cyx_o6G1Km05pVwfmjRujkyd-fL2hrpRDmQhDJhYVxzwcMSk/w494-h278/Undying+Monster+landscape.jpg" width="494" /></div>
<p class="MsoNormal">Tonally, this seems to fit somewhere between Universal’s
style and an RKO production from Val Lewton, but without the melancholy. It
revolves around a Scotland Yard scientist, Robert Curtis (James Ellison), a
rather smug American, and his older assistant Christy (Heather Thatcher) as
they investigate the attacks on the Hammond household. There’s a curse, lots of
family secrets and even more secrets being hidden by the servants. While we’re
sympathetically introduced to the family at the beginning, once Curtis arrives
on the scene, they all begin to act suspiciously, which is jarring and takes
the focus from whoever’s story this may be. As stated, Curtis is pretty smug
and not particularly sympathetic beyond his role as obvious good guy, but he’s
not insufferable. Heather Thatcher walks a fine line between marvellous and
irritating as Christy, who seems far more open to the idea of the supernatural,
unlike the film itself which seems reluctant to show its true colours as a
werewolf film. That being said, I could have watched another, unrelated film
featuring the two investigators as Thatcher’s character really does shine at
times. A shame Curtis has to demean her in the film’s closing moments.</p>
<div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="404" data-original-width="538" height="369" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd4x3oStmSDldqbmD6afUq3UkV7G8eVp7ZJYNbwmVvovC5hpa5WosbtGDs2GP-q-gqORxLCYMvxWqj2p8AY_d_0NyD-KcUbT7YUHUjPUNk1JijGv5bwiT-NOGRA-5DhtRYZ16zXopmVhk/w492-h369/Undying+monster+2.jpg" width="492" /></div>
<p class="MsoNormal">The film looks great, mostly eschewing Universal’s foggy
woods in favour of a jagged coastline, and a huge house full of furniture and
ornaments that look to pre-empt the style Hammer would favour a decade later.
Some beautiful lighting and cinematography as well, without going over the top
in any expressionist way. The werewolf is not seen much at all on the rare
occasions it makes its presence felt, with one decent close up of some
uninspired hairy face make up that dissolves as the beast dies. Jack Pierce had nothing to fear here. But it's ultimately disappointing, with a story that, for all that it's central character relies on logic, has little of its own. The whole curse seems almost like an afterthought and werewolves, or at least Lycanthropy, seem to be accepted by the scientifically minded characters. </p><p class="MsoNormal">Addendum – Re <i>The Wolf Man</i>, I had completely
forgotten that it doesn’t take place in England but in Wales. How that slipped
by me I’ll never know, aside from the fact that it seems English, there don’t
seem to be any references to Welsh culture and I don’t think it even mentions
the fact until <i>Frankenstein Meets the Wolf Man</i>. Speaking of which,
tomorrow…</p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-89485679992161023312020-10-03T23:38:00.003+01:002020-10-03T23:38:21.896+01:00The Monster is Mad<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPjIWvt8k0B5cUDrhgtUNe-P59fjT-d44reIQCrT5vBcNPMaeD9QDTETKl1h563MsEYqqa65UQ6JY6qZoIVFNftSDQddGB9_I0YtW4DvdFipWvxY5r1Dqb9nSYePIAYmnZK1j8kxh2Cxk/s480/mad+monster+poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="480" height="377" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPjIWvt8k0B5cUDrhgtUNe-P59fjT-d44reIQCrT5vBcNPMaeD9QDTETKl1h563MsEYqqa65UQ6JY6qZoIVFNftSDQddGB9_I0YtW4DvdFipWvxY5r1Dqb9nSYePIAYmnZK1j8kxh2Cxk/w502-h377/mad+monster+poster.jpg" width="502" /></a></div><br /><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
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<p></p><p class="MsoNormal"><i>The Mad Monster</i> (1942) looks like exactly what it is:
a cheap quickie attempt to cash in on the success of <i>The Wolf Man</i> the
previous year. Starring English actor George Zucco as a mad scientist hell bent
on eliminating his enemies via innocent Petro (Glenn Strange), his dim witted
assistant to whom he has been administering a drug made from the blood of wolves
which turns him into, you guessed it, a werewolf.</p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU1XjsZIelixfncFvp3MM8NojeO-oxQvje7PF2VwVj_8BzHctN03Doq-G5oRgXi1fVyRHxkPR96IOqS8EEeACDDmA0vi2TCaZlNWmyP0WMVvrOYIbQXxwcLkbc85RCT30nIOvcAt5LmAM/s1280/mad+monster+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU1XjsZIelixfncFvp3MM8NojeO-oxQvje7PF2VwVj_8BzHctN03Doq-G5oRgXi1fVyRHxkPR96IOqS8EEeACDDmA0vi2TCaZlNWmyP0WMVvrOYIbQXxwcLkbc85RCT30nIOvcAt5LmAM/w542-h305/mad+monster+2.jpg" width="542" /></a></div>
<p class="MsoNormal">Where this differs from other early werewolf movies is that it
functions as a werewolf creation tale. The idea of the werewolf is centuries
old and its cinematic depiction normally deals with an ancient curse passed on
through injury. But here we have an actual “scientific” origin for our featured
werewolf, having been injected with some concoction created form the blood of
wolves, an idea not dissimilar to the one introduced but never explored in <i>Wolf
Blood – A Tale of the Forest</i> (1925). Well, maybe an origin in the same way <i>Prometheus</i> (2012) is a xenomorph origin. Or not...<br /></p><p class="MsoNormal">Our villain here is not a curse but a mad
scientist, George Zucco’s Dr Lorenzo Cameron, who engages in activity that might arouse the interest of H.G. Wells’
Doctor Moreau, but without any desire to test what it means to be human. Here, Dr Cameron is all about creating an army of monster men
that he can use as a weapon, his first targets being his fellow scientists who
mocked him. Revenge!! Kind of a dress rehearsal for Bela Lugosi’s crazed scientists as featured
in some of Edward D. Wood’s later z movies, like <i>Bride of the Atom </i>(1955).
Zucco’s tirade against his imagined enemies is fairly amusing. A scene where a
young girl is killed has potential but is squandered in subsequent scenes as
the bereaved family seems, well, fine.</p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF6sMd3XVx1dO6hhxsv3ryfU595VzSTaAIOcCqhMf0dDuLBSzkCWJfslW4pZY5r6nOhyphenhyphenJgZTc60KSfJvOSByFUXkBtkZ1M2IAu7PYD_bBIY382URDJvEpD0FpihunJ8TWjHskCkGxqdSE/s1280/Glenn_Strange_The_Mad_Monster.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF6sMd3XVx1dO6hhxsv3ryfU595VzSTaAIOcCqhMf0dDuLBSzkCWJfslW4pZY5r6nOhyphenhyphenJgZTc60KSfJvOSByFUXkBtkZ1M2IAu7PYD_bBIY382URDJvEpD0FpihunJ8TWjHskCkGxqdSE/w554-h311/Glenn_Strange_The_Mad_Monster.jpg" width="554" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Waching the match with furry friend.<br /></td></tr></tbody></table><br />
<p class="MsoNormal">One of the few redeeming features of this mostly enjoyable cheapie
is that it does make <i>Bride of the Atom</i> look good. Strange’s werewolf
lumbers around the same 30 odd square foot of forest/swamp, searching around a
bit randomly without a hint of animal about him, a few snarls aside, unlike Lon
Chaney Jr’s hunched, animal-like gait from the year before. He just looks like
a hairy bloke who’s lost And Strange’s make-up really hasn’t much going for it either.
Petro wears a pretty rotten wig in his human form as it is, while his lupine form
finds itself with some hair glued to the face, false teeth and maybe a bit of a
heavier brow. It looks cheap and perhaps sets a standard for cost effectiveness
when depicting werewolves. Harry H. Corbett’s werewolf from Carry on Screaming
seems to have gotten its cues from here.</p><p class="MsoNormal">Strange’s Petro also ironically seems
t channel a different Chaney Jr role, that of Lennie from 1939’s <i>Of Mice and
Men</i>, right down to the dungarees. Petro’s shape is that of a hulk, with ridiculously broad shoulders
adding to Strange’s already imposing 6’3’’ height. There is a slightly different approach to some of the transformation scenes, where Petro's head slumps down as he falls asleep.One crafty dissolve later and he raises his head to reveal the monster they paid for.<br /></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyF7BeOsuTq-AmNvLcbu9-qkg_-2lWCyFKme86MmqmJaRiO8r92FenORb3oHyPB2sqIrxoA9Zs9eWpIDnrSao-3UWgDayYUB2gtL6mJU78rDDtDximcZo6ieAvf1J0joJaFB9xTg9SXW8/s746/1942_mad_monster_003-glenn-strange.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="746" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyF7BeOsuTq-AmNvLcbu9-qkg_-2lWCyFKme86MmqmJaRiO8r92FenORb3oHyPB2sqIrxoA9Zs9eWpIDnrSao-3UWgDayYUB2gtL6mJU78rDDtDximcZo6ieAvf1J0joJaFB9xTg9SXW8/w564-h340/1942_mad_monster_003-glenn-strange.jpg" width="564" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Werewolf in a hat. As you do.<br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table>
<p class="MsoNormal">Production value is stretched, the script is flat, shouldering
the cast with some abominable lines that sound like they shouldn’t be spoken,
and scenes kind of just end. After the glory of a couple of Universal monster
movies, the next film was bound to slip, even though Glenn Strange was about to find some success of his own in following in Boris Karloff's oversized footsteps as Frankenstein's monster. But <i>The Mad Monster</i> is mostly rubbish
on its own terms.</p>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-86154459017891850092020-10-02T22:42:00.006+01:002020-10-04T23:16:02.105+01:00An American Werewolf in a Phony ̶E̶n̶g̶l̶i̶s̶h̶ WELSH Town<p> </p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="193" data-original-width="262" height="369" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtzim8nTPG2MomqhFVbOZNM2eERviAo7TrSq8OwiMJawGlwDgr4rw6TrHE1X6-eV7qUFRbMg9FgcZThf9qX6nSQ8vi6vIHdbPuHbO4_4d3AmYe6p-xDH1L8onQKl031VsvDs7Jg_Unm7o/w501-h369/Wolf+Man+titles.jpg" width="501" /></div><p><!--[if gte mso 9]><xml>
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</p><p class="MsoNormal">Spoilers follow, as they likely will for all entries in this run of blogs. <br /></p><p class="MsoNormal"> Well, if you're watching werewolf movies for a month (what have I done?), you can’t go wrong with <i>The Wolf Man</i> (1941), directed by George Waggner and written by Curt Siodmak. One of the old titans
of werewolf films, it still has some power where many of my own generation can
only mention American Werewolves in English cities.And I still love this film.<br /></p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="165" data-original-width="305" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPsOanklm65Sm_EWImhS_DlcsHGnpRCVyLdX1M1FuaaD8G1zpgXrcA1u38-zbVb-Jjs3hF2DGWPmO-88N46LW9nH_hoNFJZZSGakqT5I6E9m-XreTidkinA6IVsNnW0PfRYFJ2EoJBPyU/w475-h257/Wolf+Man.jpg" width="475" /></div><p class="MsoNormal"> It’s only been a few years since I last watched it and yet I
saw more this time. <span style="mso-spacerun: yes;"></span>Particularly, Lon
Chaney’s tragic Lawrence Talbot is introduced to us as a peeping tom. His
casually mentioned (and never again mentioned) expertise working with optics
leads him to help set up his father’s telescope in their stately home which the
producers seemed to think looked like what they thought might be a castle. No
sooner is dad out of the scene than old Larry is scanning the quant “English”
village (more on that later) and settles on the bedroom of sort-of-love
interest Gwen Conliffe (Evelyn Ankers). He pursues her with some cryptic
questioning that made me slightly shudder. No wonder she said no. but Larry’s
no quitter, even though Gwen is engaged to Patric Knowles’ solid, dependable
Frank.</p>
<div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="384" data-original-width="512" height="329" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiMkDvEyCF-vKOrGux7FA8V1D5LDOpt4jKFy1cLTYedvO_IRqnRXt2F5lC2DnDqPe2lck5WolrSH6do0lxi2kjEg53h3KSOzFuyaugymwGh_-gsPmgYxTIdQaAgN1mJo5PGEh9Qx57iqk/w439-h329/Maria+Ouspenskaya.jpg" width="439" /></div><p class="MsoNormal"> We should all know how this goes, as Larry & co go for
an evening walk and come across Maria Ouspenskaya and Bela Lugosi’s gypsy
caravan and try to get their fortunes told. But with Bela being a werewolf and
all, well, one werewolf attack later, Larry has been bitten by Bela (playing a
man called Bela) and the curse has jumped bodies once again. Larry is consumed with
guilt at killing Bela and this guilt comes to define the character in this and his
subsequent cinematic appearances. The body count is remarkably low, however, until
the end where Claude Rains’ father figure intervenes and bashes in his spawn
with his own walking stick. It should be noted that Maria Ouspenskaya is fantastic
every time I see this film, bringing some grounded emotion and dignity among
the pained tragedy and phoney non-English accents. Virtually none of the
leading men, dressed in very US cut suits, attempt anything resembling a UK
accent, and that’s maybe for the best.
<br /></p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="690" data-original-width="850" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXkwUp9LxiJpPs9mgY74PvL_a094LpFh2NXp-U_mqAm_Muov0uo41pspnd-QR4fGUVSXlcUhKp_0Ih6s_YcovkdT8ZSiRSDlHRUzbj8-cPNm84SjD0GvOqi4V0DijBE8i8aa_TM_lrEAo/w461-h375/werewolf-lon-chaey-jr-in-the-wolf-man-1941.jpg" width="461" /></div><br /> Chaney’s performance ranges from cocky scion to tragic child
– there are times when a kind of boyish innocence comes across, even though
Chaney was a big man. That’s something that always came to mind – for his size
as a human performer, I always thought his Wolf Man seemed smaller, and not
just because he crouched to achieve something like a more animalistic gait; he
just appeared to be a smaller man under Jack Pierce’s stunning make up. But in Chaney's first transformation scene, he takes his white shirt of as he starts to transform, only to be somehow wearing a buttoned up dark shirt when on the canine prowl. Did the Wolf Man stop to get dressed before jumping out the window? I was curious as to why for both transformation scenes, we never see his face turn wolfish, only his feet, whereas the previous <i>Werewolf of London</i> not only gace us the generally recognised dissolve technique on the face, but also tried so,mething different by having a transforming Henry Hull walks past beams or dark objects in the screen, each hiding a cut where more make up was applied. But, as we'll see, the later <i>Frankenstein Meets the Wolf Man</i> remedied that.<p></p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="888" data-original-width="1597" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjWvWt5Mtcm6coOisC18yI1mXYQzRtQjfQSNodzMGumj8JbGmnI_B0FujQHBNv7oIb9OyL9d9uam1vr96LNbb1X_u7CvCeAzdor9XU4E8iwlwBKnT6RzeDarOFKBq1wM5ur2JK-xe3n8/w497-h276/jack-pierce.jpg" width="497" /></div><p class="MsoNormal"> The images of the Wolf Man snarling his way through misty woods
are well known but the scenes in the old English village where much of the
action takes place are just distracting from a UK viewer’s POV. It’s clearly
the same Universal backlot where previous Frankenstein films were shot, with a generic
but also semi-gothic north European look to the architecture. In short, it all looks
about as English as a kilt. But, it’s part of the Universal charm, I guess. </p><p class="MsoNormal"> I was saddened to discover what happened to Pierce after Universal let
him go - an act of the most short-sighted ignorance. Overtaken by the merciless Westmores (a name I come to dislike the more
I read about them), he moved on to TV and B features and died largely forgotten
and poor in the late 60s. His relationship with Boris Karloff seemed very warm
and a clip I saw form an old episode of This Is Your Life featuring Karloff
showed two old friends are reunited in a wonderful moment where Pierce came on
to greet his old victim of the make-up chair. </p><p class="MsoNormal"> Next up is Poverty Row production, <i>The Mad Monster</i> (1942), which has kind of a Doctor Moreau thing going on. <br /></p>Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-75440459738263406462020-10-02T00:12:00.005+01:002020-10-02T14:08:32.550+01:00October - Month of the Werewolf!<p><br /></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="542" data-original-width="686" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDRoj_HjENRndlJRWTLcHuDPDs8zPB5k8og1LDO7-7GCY779Xr9HjdmrM5wvjOGfLbMVmvHdfgCrd_UxI2Ed_FybUfK0EW2B2POZY06sGUcNrF1GNgvZYIAvuwCXq-wjsFIS1VtNtKtEs/w450-h356/werewolf+of+london+poster1.jpg" width="450" /></div></div><p></p><p>I'm blogging again. God help us all. It's October, so that means Halloween, which means horror films. I guess, like Christmas, we make these things a month long now. And I like Christmas a whole lot more than Halloween. But why not embrace it? Setting myself a challenge this year (yes, I know, this has been said before) of watching at least one werewolf film a day for the month. Well, it's day 1 and I'm two lycanthropic features in already.</p><p>First up is <i>Wolfblood - A Tale of the Forest</i>, from 1925, directed by George Cheseboro and Bruce Mitchell. I believe it's the earliest surviving werewolf feature, with two previous entries now lost (<i>The Werewolf</i>, 1913, and <i>White Wolf</i>, 1914). It's a handsomely mounted silent production with nice performances which I found to be without the usual overacting and melodramatic grimacing typical of the silent era; which is not to say that realism is the key. But that being said, there is a good sense of location, with the story set in the forests of Canada, featuring some beautiful, stark imagery that wouldn't look out of place in the German Expressionist films of the time in Europe. The fact that it's shot in real, frankly majestic locations helps the film a great deal.</p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="480" data-original-width="852" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZlMQENEmsGGbkbk2nVVUeI4M44YuSHlB02_9wIbgTBai0Hm8eSI2On5fAsRimwy_f_8D6LPNlRXOYF7X55hieVMm6lqxxK1WxA6aVpUGWpM7Veb9kmCeljoqaq3MJ-ut-WC5i9hPPUDc/w565-h318/vlcsnap-2020-10-01-23h06m43s102.png" width="565" /></div><p>Here, the trees are both beautiful and intimidating, cutting sharp, black lines through the frame, sometimes thick and never ending, almost imprisoning the characters or sometimes thin and cut off at the top; we're dealing with rival logging companies and what looked like progress back then now looks like a reduced vision of the Tunguska event in 1908. The trees are broken and jagged at their tops, angry at the tiny people Cheseboro and Mitchell often place at the bottom of the frame. There's a feel that nature is a hostile environment that almost consumes our main character, Bannister (played by co-director Cheseboro) while he believes himself to be more wolf than man.</p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="480" data-original-width="852" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheWkc7qdp1Q6pIISDtlHk6XyN3Q8PAfh0I2AGKjpGSRMfmREI6FQvZ-MjMRztHoWfifPe3o-8Um9NtrkL8749_Efk4YtOW1pKHg1Ea_B6xBfu3U0lVVHN2tNPV3blsdkA88x7KM80J2RM/w569-h320/vlcsnap-2020-10-01-23h49m26s846.png" width="569" /></div><p>And that's where the inevitable disappointment comes in - there is no werewolf here, this is a melodrama. Bannister is gravely injured in a fight with the nasty boss of a rival company and requires a blood transfusion when discovered by his love rival, Dr Horton (Ray Hanford), a decent sort who saves the rugged man his <!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">fiancé </span> is clearly more interested in. The only shelter is the nearby shack of a local bootlegger who refuses to donate his blood. He suggests using his wolf instead, so Dr Horton proceeds, all the while painfully aware (as we are, due to protracted close up shots of medical text) that there is a theory that any human who receives animal blood may exhibit the characteristics of said beast. And then someone seems to be killed by a wolf. Self-doubt ensues, as it seems to in werewolf movies (Lon Chaney Jr made a career out of werewolf-ish guilt and self-doubt).</p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="480" data-original-width="852" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQQXsQ1cJgT_CGjIViu2Hj46jfFRUBPN2YhJDsJX3j405z1QRmebPRXtwf350QjiQeJ1oxGGrlTC0t6x-27RCtXAqpFoZfpvLnW8tDL9NZkb9-oT_h-FUKSTfTrradh8FA_1S-quaF8XY/w571-h321/vlcsnap-2020-10-01-23h40m39s389.png" width="571" /></div><br /><p>Once this is revealed, Bannister's superstitious men turn their backs on him and he too becomes convinced that he's destined to walk the earth as an animal, nicely shown in a scene where he follows a vision of phantom wolves into the forest and almost to his doom over a 1,000 foot drop, only to be rescued by his boss and love interest, Edith Ford (Marguerite Clayton). It's all very much about what nature can do to a person if left out there too long. Well, from a 1920's perspective at any rate (give me some of that forested solitude, or a Hobbit hole of my own). The images of the phantom wolves, done by double exposure, are wonderful. Here, the fear of losing control to primal instincts is defeated by love.<br /></p><p style="text-align: center;"><img border="0" data-original-height="502" data-original-width="1000" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvhoRLCpzGgQmlLYyTloIeiWoZdkUqdq4CUmyQxKvebFKDiK5bw0TYrRH-CbCgNeZhOZ9-wwa9kxF2XKgZE1tRAkDy25mwWFsl7JrJ0tjThHa3Af3kLFRSnerb0J_i8k5MClylRtkd-kA/w553-h278/werewolf-of-london-4-e1505045730719.jpg" width="553" /></p><p></p><p>Next up was Universal's <i>Werewolf of London</i> (1935) which I saw as a teenager, so obviously not seen by me for a <i>very </i>long time. In fact, I think this might be the very first werewolf film I ever saw, likely on BBC2 sometime in the mid 1980s; either this or <i>Werewolf of Washington</i> (1973), a <i>very</i> different film. It should obviously be noted that Universal studios will be making quite a few appearances on this blog series.</p><p><i>Werewolf of London</i> is the first sound werewolf feature and brings in more of the tropes we associate with the sub-genre, particularly the influence of the full moon. Dr Wilfred Glendon (Henry Hull) is a botanist on a trip to Tibet to retrieve a specimen of a rare plant when he's attacked by a strange wild creature and bitten. Not too much is made of this on his return home to his much younger bride Lisa (Valerie Hobson - she must have been 18 to Hull's 45 years), who he neglects in favour of his research It's bleedin' obvious where that's going when Lisa's old childhood friend turns up, all tall, handsome and an adventurer pilot to boot.</p><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="386" data-original-width="510" height="361" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAd1flDnVV57vTd_hR1rnw1ICyVjkRwv5LsJAgNv2S1kxmIo39gYgO088EseIFIRkQrpshULmyU1W5dJ4qbY_UF66RPgC69YEniB0cJ5foJbayRlN6sYblL3sVgMQ6Az2J_ClXeQ-1QiY/w477-h361/16-hull-oland.jpg" width="477" /> </div><div class="separator" style="clear: both; text-align: center;"> </div>While <i>Werewolf of London</i> is a full on werewolf film it's also a mad scientist film with elements of science fiction; some marvellous carnivorous plants populate Glendon's lab where ladies faint during feeding time, and he has his own version of Ring Home Security with a video phone operated by a telephone rotary dial. An almost steampunkish look, blending the tech of the time with futurey stuff. Warner Oland turns up, sans Charlie Chan make up, as another botanist suspiciously interested in Glendon's work. Wait, who <i>was</i> that werewolf that bit him again...?<p></p><p>Hull's wolfman is more obviously human in his appearance. There are apocryphal tales of Hull refusing to sit in Jack Pierce's make up chair for the original make up, which would eventually be used on Lon Chaney Jr as <i>The Wolfman</i>, but it seems they went ith a more human look so that other characters would recognise Glendon in his werewolf state.</p><p></p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="350" data-original-width="530" height="331" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFgaUK-4h7_mIm_YX9wSTy2Mvt5w_CMdU1mdIzUI_UE1wFi5YhRS-8LpwHhBKtLcmprtwJhunKmhPP6NpjlPjzLKm1epgmKlkznKEYD5v31uyAPLhZN2q5I_XFhAvFXu86TY4IwvxkjCI/w503-h331/werewolf_of_london_main.jpg" width="503" /></div><p></p><p></p><p></p>His werewolf seems to have a bit more agency over his actions, donning a cap and long caot while prowling the streets at night for victims. He comes across as more of a Mr Hyde character this way, even making reference to Jack the Ripper in his choice of victims. Hull's wolfman even speaks, intelligently, as he meets his demise, before he reverts to his human appearance. <i>Werewolf of London </i>seems to work along the same lines as Frankenstein, a cautionary tale against tampering with nature; Glendon is a scientist, after all, with his own lab, complete with Tesla coil and giant frog eating plants. And it is with another scientist he must struggle with in order to try and maintain his own humanity. There was always a price to pay for being a scientist in these movies, and so Glendon pays the price not only for that but for also giving in to primal instincts. Such is the way of the werewolf.<br /><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6TPiuRFqV2xPWaiYUCjFGxMuvBttt7aIU6Y1_tPDVU0KJYNsZh5MQBUOrEN9QdZYeHJnsflnRcU4NdN8rpWIrTm0Dne-V6B8qPWAmexD6E2bzcpTIfbiRP-nRVO57xtew4kX1H-JE0Ik/s700/werewolf+of+london+test+make+up.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="461" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6TPiuRFqV2xPWaiYUCjFGxMuvBttt7aIU6Y1_tPDVU0KJYNsZh5MQBUOrEN9QdZYeHJnsflnRcU4NdN8rpWIrTm0Dne-V6B8qPWAmexD6E2bzcpTIfbiRP-nRVO57xtew4kX1H-JE0Ik/s320/werewolf+of+london+test+make+up.jpg" /></a></div><p></p><p>A test of Jack Pierce's original make-up concept, which looks far more familiar than the one used, which would eventually give us Eddie Munster.<br /></p>Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-75308849444250893962020-09-21T10:33:00.003+01:002020-09-21T10:33:31.178+01:00Watch This Space<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKygO8RbB2wS1nZsGlCqXhU0eQgCRNnduVAEAWXrVZtj0fmEoJGGW1PzO4ZivtcSN25aeP-N3EX2ub2F6b0FC2nHHwX2VWLrnhSq1hYNJfWy1OyWGTMsKjuFxTCZlmHMYoHDZqtFCG2LI/s1444/Watch+this+space.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="844" data-original-width="1444" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKygO8RbB2wS1nZsGlCqXhU0eQgCRNnduVAEAWXrVZtj0fmEoJGGW1PzO4ZivtcSN25aeP-N3EX2ub2F6b0FC2nHHwX2VWLrnhSq1hYNJfWy1OyWGTMsKjuFxTCZlmHMYoHDZqtFCG2LI/w650-h380/Watch+this+space.jpg" width="650" /></a></div><br /> <p></p><p>I'm back.</p><p><br /></p><p>Watch out for lycanthropic bollocks this October.</p><p><br /></p><p>See you soon.</p><p><br /></p><p>B<br /></p>Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-59040319239210457732018-10-17T21:55:00.005+01:002020-10-05T21:31:34.573+01:00The Thing About Being "Angry"<div class="separator" style="clear: both; text-align: center;">
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<br />
My entry for Sunday 16th April last year mentioned a reason why I had resurrected this blog (I'm aware of the irony of the impermanence of said "resurrection"). In February of last year I was diagnosed as being on the Autism Spectrum; high functioning Apsergers, to be more precise. With a lot of coping methods developed over the years.<br />
<br />
To some this came as a shock (with some questions as to whether this is a real thing or not) - one of the most common responses was "I had no idea" from people who've know me for decades. To some, I suspect, it did not come as a shock. Certainly not to myself, as I had sought out a diagnosis for some time after suspecting for the better part of 20 years.<br />
<br />
I made that blog entry last year with the intention of continuing it after advice from the psychiatrist who diagnosed me. And he had a point - I find writing a release and incredibly therapeutic. But I'm also lazy and easily put off things I love to focus on after years of being told by responsible adults that I was useless and that what I wanted to do was a waste of time - that stuff stays with you. Be kind to your kids. Encourage them in what they love. I'm glad my parents encouraged my love of writing and science fiction and fantasy, unlike my Principal English teacher who scolded and mocked me for it and forced me to re-write my stories into a contemporary setting. Deep down now, there is a resentment and sense of guilt that exists regarding being creative.<br />
<br />
What does this all mean? Who knows? But I find life a serious struggle much of the time. I try my best to be social but speaking to people takes real physical and mental effort, mostly subconscious effort, which is physically draining. Which is highly ironic as most money I make comes from teaching. But talking about films is less exhausting than normal.<br />
<br />
Another effect of all this is that I am prone to frightening rages. People don't normally witness these and they tend to involve my frustration with inanimate objects but I am also acutely aware of how they can frighten those I love, be they two legged or four legged; It's not easy looking after 6 animals while trying to work and deal with the way my brain works - at times it's like walking through toffee, especially hard when your best pal is aging before your eyes and you can't find the right way to express that. And this rage also frightens me. It all leads to intrusive thoughts which compound depression and anxiety. Which in turn stops me from doing anything. I've not made a narrative fiction film in a very long time now and now look a fool after stating my intentions so many times and not following through. Some of that also comes from an inability to speak to people. Dammit.<br />
<br />
The crux of all of this is that Asperger's and being on the Spectrum is not always a great thing. The myth is that we're all hyper-intelligent (nope) but lack empathy (nope again). Fact is, I'm an over-emotional geek who's seen by others as a middle aged weirdo. I guess today is just everything welling up so I felt the need to write about it.<br />
<br />
But, contrary to popular belief, I'm not angry all the time (can you imagine if I was?). Frustrated and anxious, yes, most of the time. But I'm also consumed with love and joy at people and expressions of art, be they stories, films, music or food.<br />
<br />
I'll be honest. I fucking hate it. I hate being on the Spectrum. I hate how people saw me when I was young and how it made me a target. I hate how I fear people see me. And I hate how I see myself.<br />
<br />
It's emotionally staggering how I can't find ways to adequately express myself, especially in the moment (this evening in the pub saw me as a stuttering fool whose voice was physically failing, to people I know).<br />
<br />
I hate having Asperger's Syndrome. This is just the way I feel today.<br />
<br />
As I said, I was advised to keep blogging as a way to deal with my craziness, so I guess I'll keep trying. It is a release. It's taken me more that 18 months to start writing about this as prescribed and here it is, so I guess that's something.<br />
<br />
This isn't a cry for help or attention seeking. It's just me writing shit down to try and make sense of myself. And it should be an ongoing thing. And I'm forever grateful to friends and family who continue to encourage me.<br />
<br />
As you were.Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-89231927519550175392018-02-26T08:28:00.000+00:002018-02-26T08:37:42.329+00:00Back to Filmmaking<div class="separator" style="clear: both; text-align: center;">
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<br />
Been a while since the last entry. Life can get a bit silly, I guess. Anway...<br />
<br />
I wrote a bunch of scripts years ago. There they sat. Aging. Or not. Because the stories are still relevant. I've had to change one or two things in one of them but other than that we're going to shoot it late spring/early summer.<br />
<br />
Because I need to make a fucking film again. Oh, sweet shit on a lorry, I need to make a film.<br />
<br />
I've a bit of a "slate" of ideas, as some folk might say. This one we're starting with is relatively simple, being mock documentary, but is ironically the longest. I say simple as there aren't many crazy camera set ups. I'll be sticking to an established format in order to tell an out of the ordinary story. A dark comedy. Dark. As in <a href="https://www.sciencealert.com/this-object-has-been-sprayed-with-the-world-s-blackest-pigment-and-it-s-freaking-us-out" target="_blank">Vantablack </a>dark. And funny. At least, it's funny to me. Of course, funny is always subjective and I've learned over the years that my kind of funny is highly subjective indeed.<br />
<br />
The others are less funny. Or perhaps not intended to be funny at all. Dark science fiction and horror. Bits of M.R. James, Lovecraft, mixing with dramatic questions I've been asking myself for years.<br />
<br />
My current script is shot listed and out to my Assistant Director for a preliminary schedule and budget. After that, crewing and casting and, most likely, a crowdfund campaign. Doing some serious research into that but if anyone is reading this who has experience then any advice is always appreciated.<br />
<br />
So, keep watching for that soon. I'll be bombarding, as I'm told one should with these kinds of campaigns. I've got some cool folks hopefully working with me on this. Should be good and I look forward to disturbing audiences with this little baby.<br />
<br />
More bits of oddness on my Instagram: <a href="http://instagram.com/talcy73">instagram.com/talcy73</a><br />
<br />Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-29725971093171017512017-10-30T19:41:00.002+00:002017-10-30T19:41:32.962+00:00October Horror StymieOctober Horror. Well, that fell on it's ass, didn't it?<br />
<br />
Work and that goddamned black dog threw a Kong-sized spanner in the works. Feel awful that I couldn't follow through with it all.<br />
<br />
Not the end of the world. I still have a big pile of Blurays to get through. Let's see what happens.Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-83285675725544963742017-10-09T22:43:00.000+01:002017-10-09T23:00:52.946+01:00October Horror Catch Up Pt 1 - The Devil Bat<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdUefbFUXybsVnXnFwMmE59MhaTrFmtkw-M2QTbFWLGm5d2ZrGzJ17NCDEfLZIJJ4ifK0bCPbGg4rVX4FXIuFgmrCVxg07xgJRBNXlUvoi8hKEvGh_zBBxBaTAHLp9b5fZeJGarrilewo/s1600/devil_bat_poster_04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="1600" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdUefbFUXybsVnXnFwMmE59MhaTrFmtkw-M2QTbFWLGm5d2ZrGzJ17NCDEfLZIJJ4ifK0bCPbGg4rVX4FXIuFgmrCVxg07xgJRBNXlUvoi8hKEvGh_zBBxBaTAHLp9b5fZeJGarrilewo/s400/devil_bat_poster_04.jpg" width="400" /></a></div>
<div class="MsoNormal">
<br />
One of the things I love about the great Bela Lugosi was his
commitment to a project, on screen at any rate. He appeared in some of the
greatest classic horror films ever made and he also appeared in the rock bottom
worst of them. And yet in those awful titles he still remained the most enthusiastic
presence on the screen. He had a sense of power that could come and go but his
charisma and love of acting seemed always there. He just gave it his all.</div>
<div class="MsoNormal">
<br />
This is by no means among Lugosi's worst movies, but it's certainly not up there with <i>Dracula </i>or<i> White Zombie</i>.<br />
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Devil Bat</i> (1940)
has Lugosi as a mad scientist who keeps his raving mostly to himself (and his bats)
but presents that effortless Lugosi charm to the outside world, both to fool
his would-be victims and those investigating the giant bat murder spree (more
on that in a moment) and also just as an aspect of the character’s natural personality.
If he wasn’t sending his mutated creatures out into the night to do his
murderous bidding, he seems like a rather affable chap. It’s difficult for the
first half of the picture to root against him 100%.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
It’s a bit odd seeing Bela Lugosi in a film about “devil
bats” and there be no vampirism. One wonders how cheesed off horror fans might
have been on watching the film.</div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoQRbh43LLNaAdZ0lYZUgFBXJC78VZ2C_ujE8nAnRJK1-hfURiPpMZOuVGU23IkOVrN79SlywqvNLQKcG_zz3MT3myBTWo2gRPIm0_nE5VQN28BovK73oxe_r4XcKctnc7ElgBfXKmQKQ/s1600/devilbat2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="782" data-original-width="1295" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoQRbh43LLNaAdZ0lYZUgFBXJC78VZ2C_ujE8nAnRJK1-hfURiPpMZOuVGU23IkOVrN79SlywqvNLQKcG_zz3MT3myBTWo2gRPIm0_nE5VQN28BovK73oxe_r4XcKctnc7ElgBfXKmQKQ/s400/devilbat2.jpg" width="400" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Devil Bat</i> was
one of the Poverty Row horrors being churned out in an attempt to cash in on
the success that Universal and RKO were having with their own creepy titles. So
many complain about Hollywood churning out sequels and jumping on the genre of
the year but it’s really always been this way. With the success of Frankenstein
and Dracula it was only logical that Universal’s competitors would jump on the
band wagon but, it seems, most of them were the smaller, less well financed
outfits (hence the<span style="mso-spacerun: yes;"> </span>name Poverty Row)
that were most attracted to doing the horror thing as well. Enter Producers
Releasing Corporation (PRC) who gave it their own go with director Jean
Yarborough.
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
It’s a mixed bag and doesn’t really feel like a horror to
me. Of course there are the horror elements, as Lugosi’s revenge driven Dr
Carruthers mutates bats into slightly larger monstrosities (fruit bats…) and
trains them to kill whomever is wearing his specially formulates shaving
lotion. Once he realises that his financial backers have stiffed him (although
they’re open about the fact that he took their cash without wanting a
percentage. The fool!), he decides to take them out, along with their
playboy/girl rich kids. So, we have the mad scientist, his lab and his creepy
experimental monsters. Now enters our hero, ace reporter Johnny Layton (Dave O’Brien)
and his frankly rubbish shutterbug sidekick, “One-Shot” McGuire (Donald Kerr),
and the tone of the thing alters. These guys were clearly trying to operate as
a comedy double act here (and in some other films) and they’re no Abbott &
Costello (who Yarborough would direct in later years). O’Brien comes across as
a typical low-budget romantic lead and with all of the lack of effort that
incurs. This is your typical reporter with a pistol, ready to step in and save
the rich heroine he’s just met from any crazy villain. The best that could be
said is that, early on, he comes across as Gregory Peck’s slightly rubbish
forgotten brother. Kerr’s photographer is nothing but lame comic relief, an unending
parade of crappy one-liners (most aimed at the attractive maid character – he’s
going to marry her) that, combined with his earnest face, gave me the
impression that he might snap from despair and fucking murder the lot of them. Except
Lugosi, of course. These guys appear and all of a sudden the thing feels more
comedic and even serial based; I expected some cliff-hangers. It had a feeling
more of <i style="mso-bidi-font-style: normal;">King of the Rocket Men </i>than <i style="mso-bidi-font-style: normal;">Dracula</i>.</div>
<div class="MsoNormal">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4CDWNbTAncl1SppUeKNmxL96dRQF8IrYVSLco7qqefArcivf3_R9zpp-kZD7ZPpDy98qOtYEBBI4fG7kU79un-L_Tj8EnZjbwO1nlt4Vq6vVmCTZFHfkBRfKIby0MNg0YpDncZPOsbBM/s1600/Dave+O%2527Brien.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="190" data-original-width="266" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4CDWNbTAncl1SppUeKNmxL96dRQF8IrYVSLco7qqefArcivf3_R9zpp-kZD7ZPpDy98qOtYEBBI4fG7kU79un-L_Tj8EnZjbwO1nlt4Vq6vVmCTZFHfkBRfKIby0MNg0YpDncZPOsbBM/s400/Dave+O%2527Brien.jpeg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rubbish.</td></tr>
</tbody></table>
<div class="MsoNormal">
Why does the seemingly amiable Carruthers make giant bats to
kill people before he’s given his reason to start offing his enemies?
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Production design is basic. Lugosi’s lab (both secret and
not-very-secret areas) looks a bit threadbare, with the usual chemistry set
paraphernalia mixed with walls that look painted to appear like stone, and his
bats consist mostly of inert bat dummies hung upside down intercut with close
up shots of fruit bats that look like they’re chewing on particularly sticky
toffees in what looks to be an attempt to make them look scary (I got a bit concerned
about their welfare as they seem to have their wings stretched out by human
hand). Said Devil Bats, as described in hotshot Layton’s newspaper articles and
One-Shot’s phony photos (a plot point, I tells ya!) launch out of Lugosi’s lab
window into the night, literally screaming down wires at their intended victims,
surely inspiring a young Edward D. Wood Jr.</div>
<div class="MsoNormal">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAnMk1WNtaygm1IG30KUaCiFOrlvkQaqLjiFv5pwbMsaYeFo6BN4KudsEguDDQbsyIDsyKdwy19z3ZIxIgGWnl1faAoYOiPMhewiTuXut3n3EGUJg6MWTZaGZ_f8mI-nFx6ZLK6z6XHQs/s1600/devil_bat_02-1100x816.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="816" data-original-width="1100" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAnMk1WNtaygm1IG30KUaCiFOrlvkQaqLjiFv5pwbMsaYeFo6BN4KudsEguDDQbsyIDsyKdwy19z3ZIxIgGWnl1faAoYOiPMhewiTuXut3n3EGUJg6MWTZaGZ_f8mI-nFx6ZLK6z6XHQs/s400/devil_bat_02-1100x816.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ready for a night out at The Hive...</td></tr>
</tbody></table>
<div class="MsoNormal">
I’m being harsh. It’s all enjoyable silliness meant to amuse
of thrill an audience trying not to pay attention to what was going on in
Europe at the time. Most chances to see Lugosi in action are worth snapping up.</div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs5j_7N7a84Go63cqZwQnKO39qMMbFPOYqHSfRPtI4pg7ohqLcp7ZwFmVmp0qfI1V0Qem42oeiPgilMs-3EeJ4Sm4p6VOvORGiBV5SVMVUvSxKZyqmukkCAb3VQFfG83_DR7ICWUI5RxA/s1600/8738_4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="409" data-original-width="728" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs5j_7N7a84Go63cqZwQnKO39qMMbFPOYqHSfRPtI4pg7ohqLcp7ZwFmVmp0qfI1V0Qem42oeiPgilMs-3EeJ4Sm4p6VOvORGiBV5SVMVUvSxKZyqmukkCAb3VQFfG83_DR7ICWUI5RxA/s400/8738_4.jpg" width="400" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
There is actually one moment that seems to try and evoke a bit of horror through some nice silhouetting of Lugosi as he prepares to do his worst towardsd the end of the film. It;s a shame the rest of the film isn't given more thought like this, insetad chossing to focus on the shenanigans of Layton and One-Shot, as though someone was thinking, "Hey, got an idea for an series of flicks with these newpaper chumps!"</div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
Amusing trivia: our journalistic hero’s boss, who fires him and
One-Shot at least once in the film, is played by the wrongfully forgotten
Arthur Q. Bryan, whose gruff voice here is not all that recognisable from his
most famous role of Elmer Fudd. Mel Blanc is a bit of a hero of mine but I can
never really forgive him for insisting on taking almost all the credit for the
voices of Warner Bros. cartoon legends in <i style="mso-bidi-font-style: normal;">Loony
Tunes </i>and <i style="mso-bidi-font-style: normal;">Merrie Melodies</i>. After
Bryan died in 1959, the character of Fudd* was retired and not resurrected
until over a decade later by a noticeably vocally different Blanc.</div>
<div class="MsoNormal">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qJQVefUIPdqQ_o6eGdO4Wb4IgNZq5QrMF5pBvYSQH6SaOBG24GfxkbjAYXXFWV0X_BtLVD4O7ucQDGtRwkkeRNfsDMunXCHjqPwFuagpw9gdwpmEigOqmv4D9MbR27-GzutxZCUK70Q/s1600/AQB.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="191" data-original-width="265" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qJQVefUIPdqQ_o6eGdO4Wb4IgNZq5QrMF5pBvYSQH6SaOBG24GfxkbjAYXXFWV0X_BtLVD4O7ucQDGtRwkkeRNfsDMunXCHjqPwFuagpw9gdwpmEigOqmv4D9MbR27-GzutxZCUK70Q/s400/AQB.jpeg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"No, for de wast time, dere's no one named Woy Kinnear here!"</td></tr>
</tbody></table>
<div class="MsoNormal">
I feel a future blog about Arthur Q. Bryan is looking on the
horizon.
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
*Scots readers are giggling at this phrase as you read this.</div>
<div class="MsoNormal">
<br /></div>
Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com2tag:blogger.com,1999:blog-5563631055689800989.post-52302542196520376012017-10-08T23:01:00.004+01:002017-10-08T23:28:28.752+01:00Interval - Depression is a Bitch<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIpQHcM7vCViy5t9PNwgnxjr7DFN4kXIDcHEmfvrwm0vltj0F4hif7W2rhDfGjEBTYzlyiLtemv31qlHjen-8dfsP7v5tOwSSK-XZX4y7zn9XdFo5fH5fUe857Slai8npF9TZgxE-qKaQ/s1600/karloff.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1272" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIpQHcM7vCViy5t9PNwgnxjr7DFN4kXIDcHEmfvrwm0vltj0F4hif7W2rhDfGjEBTYzlyiLtemv31qlHjen-8dfsP7v5tOwSSK-XZX4y7zn9XdFo5fH5fUe857Slai8npF9TZgxE-qKaQ/s400/karloff.jpg" width="317" /></a></div>
<br />
Apologies for the gap in posts. One of the reasons I decided to view and blog about a horror movie a day in October is to combat depression, which has grabbed me by the balls of late. I regret that it got the better of me over recent days and a particularly bleak period has put a bit of a dent into my daily schedule. However normal service is now resumed. That is provided anyone is reading this. *cries out into the abyss*<br />
<br />
One of the reasons I resurrected this blog recently was not only due to said depression but also on professional advice earlier this year after an adult Asperger's diagnosis. This subject is something for a future blog, but verbal expression isn't exactly my forte while I find myself far more comfortable with the written word. One of the issues with my own individual Asperger's situation is that frustration from not being able to properly express myself can be infuriating and cause all sorts of short circuits in my head. Unless I'm talking about movies, which is just as well as I teach filmmaking and film history...<br />
<br />
So, interval is over. Grab your Cornettos and Cokes and return to your seats. The curtain is about to go up once more. This means that I'll be viewing and posting a couple of times a day to get back up to speed.<br />
<br />
Previews of coming attractions: Bela Lugosi in <i>The Devil Bat</i>, Lamberto Bava's bonkers <i>Demons</i>, a <i>Count Yorga</i> double bill and Donald Cammell's <i>White of the Eye</i>.Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-77621877661354021802017-10-05T00:00:00.001+01:002017-10-05T16:11:34.054+01:00October Horror Day 4 - Horror Hospital<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZXUHG1SxNJPwzp8dUNGCitVp_HF6qhmKBcnvVcFN_R0qMA8QdR-lbrdSCcfrprDZX-dBfFvK2FOETaUSSssjXbuuBmggfUfoHjBpDyofiPeB-Lp8tyGJHedzVKZQLH0GH3DcO4eCYJLA/s1600/42cfbf79ed4c3de694c80170a8e98504.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="366" data-original-width="237" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZXUHG1SxNJPwzp8dUNGCitVp_HF6qhmKBcnvVcFN_R0qMA8QdR-lbrdSCcfrprDZX-dBfFvK2FOETaUSSssjXbuuBmggfUfoHjBpDyofiPeB-Lp8tyGJHedzVKZQLH0GH3DcO4eCYJLA/s400/42cfbf79ed4c3de694c80170a8e98504.jpg" width="257" /></a></div>
Holy shitbiscuits! What did I just witness?<br />
<br />
I'm trying to go for a range of titles (verging on random, to be honest) and picked up <i>Horror Hospital </i>(1973). The image of UK genre stalwart Michael Gough on the cover drew me to it. The additional image of Robin Askwith on the cover sealed the deal.<br />
<br />
<i>Horror Hospital</i> is a horror comedy, aiming for an exploitation feel (director Anthony Balch had previously been a distributor of exploitation movies in the UK) that seems to forget this mix and takes itself somewhat seriously at random points. The laughs don't exactly occur where they're intended to. The story follows Askwith's Jason Jones (got to have a bit of alliteration for the hero) as he abandons an attempted career in music for some time away at what he thinks is a health spa, all arranged by dodgy character Pollock of "Hairy Holidays" (a clearly frail Dennis Price who was consumed by alcoholism). En route he meets Vanessa Shaw's Judy who is heading to the same destination to meet her Aunt Harris (named so because she liked to wear Harris Tweed, something never ever referred to again afterwards) who is executor to Judy's late mother's will (something never ever referred to again afterwards).<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQO7UksqRyCLtpPRClorwtQ3Rpitt1c-SfVVK_56gMipgANZTLkfi8-gxeuWZwW05EXQfa1yfBh6ACgBcsOwU6CNNR4Si4Ui10IakWKA-caQBxxvz2JTeGRzIDqpq7HArVZdLEbpWfYl0/s1600/hqdefault.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="360" data-original-width="480" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQO7UksqRyCLtpPRClorwtQ3Rpitt1c-SfVVK_56gMipgANZTLkfi8-gxeuWZwW05EXQfa1yfBh6ACgBcsOwU6CNNR4Si4Ui10IakWKA-caQBxxvz2JTeGRzIDqpq7HArVZdLEbpWfYl0/s400/hqdefault.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"All a bit rubbish, isn't it?"</td></tr>
</tbody></table>
Their "meet cute" consists of Askwith complaining he's not eaten that day as he phwoars at Shaw eating her lunch but promising that he's "not going to rape" her. She is fine with this.<br />
<br />
Onwards.<br />
<br />
Upon their arrival at the "health farm" they are met by Skip Martin's dwarf henchman, Frederick, acting like an even weirder version of Richard O'Brien's Riff Raff. Martin, already famed from previous horror movies such as Corman's <i>Masque of the Red Death</i>, gives a wonderfully odd performance, at times seemingly not in control of his eyes or grin and at others like he's fighting back tears. A lovely man who everyone liked and was up for anything from all accounts on the Making Of doc on the disc. His character is pretty tragic. They soon discover other young people there, lured the same way Askwith has, now mindless slaves after brain experimentation. Cue the usual scenes of capture, amusing deaths and thwarted escapes until Askwith and late arrival Kurt Christian (who I recognised from <i>Sinbad and the Eye of the Tiger</i>) save the day with Frederick's help. Things go boom, there's a sudden monster and some smoking deadly quicksand (in the UK...) before deaths are forgotten about after a cheeky fright gaga from cheeky Askwith.<br />
<br />
It was around 20 minutes in that I was compelled to pour myself a drink.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8dwYkTy7TKZjYNgqX4ULBe-TmH_PcEgxTxs4Qi6CxgLAwRz6X45GFsq9hcHu5_bjcZBUVbzXhjUbtwK-qTVZpjgVYMkqQYiE4DL9GZa_1NVjxyjZkrMZjF7hj9mDTT24QFxLam9vvQ2Q/s1600/imgID115948560.jpg.gallery.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="385" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8dwYkTy7TKZjYNgqX4ULBe-TmH_PcEgxTxs4Qi6CxgLAwRz6X45GFsq9hcHu5_bjcZBUVbzXhjUbtwK-qTVZpjgVYMkqQYiE4DL9GZa_1NVjxyjZkrMZjF7hj9mDTT24QFxLam9vvQ2Q/s400/imgID115948560.jpg.gallery.jpg" width="400" /></a></div>
<br />
Askwith is channelling, well, Askwith. This was just before he embarked on the most popular/notorious section of his career with the <i>Confessions </i>films and his cheeky chappy persona is already winking his way through the proceedings here. His character starts out as an annoyed "cool" 20something who's after a shag (and so begins Askwith's career); he and Lewis have known each other less than a day before they're not only in bed but comforting each other as though they're Jonathan Harker and Mina Murray. Lewis' lack of acting experience is apparent, let's leave that at that. Askwith instantly develops into a heroic leading man when the film calls for it, which is, frankly, a very odd thing to see. During a big escape scene, two burly guards in biker leathers catch him, beat him with coshes and pull at his t-shirt as he screams like a child at regular intervals. I wasn't sure how deliberate this was and this confusion was further fuelled by moments where screams are quickly repeated over the same footage, which reeked of laziness as opposed to an intended effect. Some of Skip Martin's dialogue is just downright bizarre but which also makes his character the most interesting.<br />
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<tr><td class="tr-caption" style="text-align: center;">Gough loses the Zero Mostel lookalike contest.</td></tr>
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British stage actress Ellen Pollock appears as the villainous Aunt Harris, channeling a combination of Norma Desmond and Irma Bunt. Her character's sudden and not at all believable change of heart results in an odd scene where she packs to leave, grabbing random objects from around her room and shoving them into a suitcase. She seems to have an unexplored love of creepy dolls.<br />
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The unevenness of these two scenes are reflective of the whole film which tries to mix spoof with a love of exploitation and z-grade films but ultimately fails. But part of the problem is director Anthony Balch's inexperience. This was only his second film after spending years making experimental films and collaborating with William Burroughs - it appears during that time he never really learned how to direct a narrative film. It's all inept stuff and you really wonder why Michael Gough is in this. Gough, you say? The same Gough who was daft enough to appear as a mad scientist in <i>Konga</i>? This sorry affair makes <i>Konga</i> look like <i>King Kong</i>. It's telling that Gough wouldn't speak about this film at all once it was finished. His presence does sometimes lift the proceedings and his character is directly derived from some of Bela Lugosi's characters from the sad end of his own career - director Balch was a Lugosi fan and asked Gough to watch <i>The Devil Bat</i> (1940) to understand what he wanted. Gough's mad Dr Storm is clearly inspired by Lugosi's mad doctor from Ed Wood's <i>Bride of the Monster</i> (1955) but his intentions involving the young people whose brains he's tampering with to create mindless slaves is never made all that clear.<br />
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Balch's use of music is equally odd and inept. The titles proudly proclaim the film's music to be done by De Wolfe, they being a music licensing company. Consequently, Balch's £22,000 budget has possibly squeezed his musical choices, but in any event his use of music is odd. There are moments where he lets the music define the cutting of some scenes, which does not work at all. The scene where Aunt Harris packs her suitcase has a long, sad score that suddenly ends while the scene continues for a bit longer. That is, until Aunt Harris is dispatched by the film's monster, a large misshapen thing seemingly made of wax (well, that's how it looks) and which turns out to be... maybe not spoil that bit, but the reason for this character's physical transformation is never explained. The use of De Wolfe, for this Monty Python fan, also fooled me into thinking that a fight scene in a leafy wooded area was about to be invaded by John Cleese and Graham Chapman's Black Knight and King Arthur. The inconsistencies of the music help no one.<br />
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Amusing trivia: the exteriors of Dr. Storm's hospital were shot at Knebworth House, the same location where Michael Gough would find employment as Alfred Pennyworth some 16 years later where it doubled for Wayne Manor in Tim Burton's <i>Batman. </i>Famed UK stunt performer Colin Skeaping, who doubles for Mark Hamill is the original three <i>Star Wars</i> films, also fills in several roles as various motorcycle leather guards and a lobotomised youth.<br />
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At the wrap party, leading lady Vanessa Shaw (actually called Phoebe Shaw) made a cake for the cast and crew. Laced with drugs. One wonders what had been passed around before filming started.<br />
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<i>Horror Hospital</i> is one for a late night and some booze. Maybe some small objects to throw at the screen. I mean, where else can you see Dennis Price decapitated by a Rolls Royce?Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0tag:blogger.com,1999:blog-5563631055689800989.post-67615986612610662082017-10-04T00:19:00.002+01:002017-10-04T00:20:47.385+01:00October Horror Day 3 - Eyes Without a Face<div class="separator" style="clear: both; text-align: center;">
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Director Georges Franju said that his 1960 production of <i>Eyes Without a Face</i> was not a horror but was more concerned with anguish - this is understandable. I don't think horror can ever be defined into a hard category. The range of human emotions, which horror cinema taps into perfectly, is too broad to let itself be defined in narrow terms. Cheap scares and a night spent picking up spilled popcorn from jump scares is all and well but I find the best horror films are the ones that get under your skin (if you'll pardon the expression) and play with our pre-concieved notions about what it means to be human and how we face mortality. Like any literary genre, a film genre should always look to push its own boundaries, both in terms of shock and emotion and in it's exploration of ideas. <i>Eyes Without a Face</i> looks to mythological and fairy tale imagery. I can't help but think about Guillermo del Toro when I watch it.<br />
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<i>Eyes Without a Face</i> is fantastic.<br />
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From the wordless opening, where Alida Valli drives her lifeless passenger (revealed to us as she moves her rear view mirror) to a watery grave, accompanied by Maurice Jarre's twisted fairground parody (in fact, this theme accompanies Valli whenever she's up to no good in the film), like a helter-skelter slowly descending into a distant hell. Jarre's score is wonderful, used sparingly (a complete absence of music during the Doctor's final scene is powerful) and clearly features musical snippets he would return to in <i>Lawrence of Arabia</i> and <i>Doctor Zhivago</i>, Christiane's sad theme in particular.<br />
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The anguish comes from both Pierre Brasseur's obsessed doctor and his disfigured daughter, Christiane, whom he hides from the world, her face hideously damaged by a car accident. Doctor Genessier has sent his secretary, Louise (Valli), out to abduct young women so he can remove their faces in an attempt to give his daughter back her beauty. He is a man driven by a quiet anguish and a scientific determination, like all the best villains, the protagonist of his own story. He wants his daughter returned to him, as he managed for Valli in restoring her own face. Valli is almost the Fritz/Igor to Brasseur's Frankenstein, as she sets about her grim tasks with unquestioning loyalty and a lack of anything resembling morals. The good doctor and his assistant are a bit underwritten - her loyalty to him and the absence of Christiane's mother might suggest a relationship between the two but it remains unexplored. This is not to say that their relationship should be so, but they do seem a bit flat in that regard, Louise especially. Is her loyalty to him (and therefore willingness to commit terrible acts) simply out of gratitude? In this respect, she seems worse than him. He seems to act out of love for his daughter (twisted and morally corrupt as he clearly is) whereas Louise only shows any sense of fear or guilt near his family tomb, focusing on a passing plane to drown out the noise of his digging. Even Dwight Frye's Fritz was a willing digger for Henry Frankenstein. Her apparent lack of morals is odd and Franju even gives Doctor a chance at sympathy with the audience through his care towards the patients in his hospital. However, anyone who experiments on animals is a c*nt, in my book. Through and through. His demise, reminiscent of the fall of Doctor Moreau or Dr Frankenstein in James Whale's classic, is fitting.<br />
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Franju was skirting a fine like with his treatment of the actual tissue graft. This film was made in 1960 and the scene of skin being cut and visibly lifted from a character's face must have been shocking at the time. It still made me squirm somewhat, even if the face on the move does look a bit white and rubbery. It's bold stuff for its time. I've read that some critics derided the film as disgusting but the sense of quiet desperation and, indeed, anguish is palpable through the film. Horror shouldn't be afraid to play on emotions other than straight fear.<br />
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Edith Scob's Christiane is kept mostly behind a mask, seemingly cast from the actress' own face, so natural does it appear. Her sad visage is truly haunting and at times is one of the saddest images I've seen in a film for a long time. She moves like a ballet dancer (as noted by my wife) and her first scene features her dressed in a long raincoat, buttoned up to her neck. She appears doll-like not only in her face but her entire being. Even the scenes where we see her new face, her face exhibits an otherwordly yearning with those giant, sad eyes. Her final scene, accompanied by white doves, is reminiscent of Snow White but far sadder and consumed with a despairing madness. It's an image I'm not going to forget in a hurry.Brian Robinsonhttp://www.blogger.com/profile/06023888442000424089noreply@blogger.com0