Oscar Nomination Madness

The reaction to some of the nominations, or should I say non-nominations (try it with 4 beers - you'll kill your tongue) is verging on hilarious. Personally, I'm not so bothered. It seems to be between Lincoln and Silver Linings Playbook. Lincoln's not been released in the UK yet and I enjoyed SLB, even if the end descended into something verging on romcom cliche.

But some folks really need to get a grip. Much of the vitriolic back and forth I've seen on some professional film blogs is up there with angry, pished pub arguments about football - pointless and nasty. And folks who don't care also need to back up and just let it be; "Waah! I hate the Oscars! They're irrelevant back-patting!! Waaah!". Well, then shut up, fuck off and stop paying attention to something that's upsetting you. Of course it's back-patting. It's a fucking awards ceremony. Sheesh.

The days of getting upset over these things seem to be happily behind me now. My opinion doesn't matter and neither does yours in the grand scheme of things. I still enjoy the madness around the Oscars, from the embryonic buzz throughout the year which starts to snowball around September to the night itself, which I like to stay up and watch (last year's was particularly memorable as my blog post about that makes clear). And I'm an unashamed Family Guy/Seth McFarlane fan so I'm hoping for a genuinely funny but old style showbiz affair this year. He knows his classic Hollywood and big time music numbers. I even found most (but not all - that deliberately awkward WW2 shtick needs to end) of today's announcement refreshingly funny.

I'm also going to make a point of reading as many of the screenplay nominees as I can. As far as the Best Film nominees go, I've only seen 3 of them so far (Argo, Beasts of the Southern Wild and the afore-mentioned Silver Linings Playbook) as the many of the rest have not been released in the UK yet, apart from Amour, which got a dismal release I feel, and Life of Pi, which I'll see this weekend along with Les Miserables.

Most of the nominated screenplays are out there now. Time to get hunting.

Of Tinned Tomatoes and Oscars.

  In the summer of 1984, the BBC was broadcasting the summer Olympics from Los Angeles, mostly late at night due to the time difference. It seemed a pretty big deal at the time and ITV, in an effort to counter this in the ratings, began broadcasting a mini series from the US that appeared to have done well; V, a tale of alien invasion and a tribute to resistance fighters and those who stand up against fascist oppression, but done with laser guns and spaceships. Disregarding any thought of the recent limp remake, I loved it. As an 11 year old who was allowed to stay up late to watch this sci-fi show, I appreciated it and lapped it up. The alien invaders were known as the Visitors who, while they appeared benevolent and looked human thanks to rubber skin, were actually reptiles bent on world domination, water theft and human rotisserie. And as I recall, there was a particular scene where one of the aliens Visitors, Willie (played by a sympathetic Robert England)  is brought before some youngsters by human resistance fighters in an effort to show them who they really are and has the fake skin ripped from the back of his hand, revealing scaly reptile skin underneath. It was a great moment and one we would talk about at school for a while.

  The next morning a friend was coming over to hang out, it being the summer holidays. This friend also loved movie make up, especially the old Universal monsters and the work of guys like Jack Pierce and Dick Smith, and would try out experiments on himself with putty, yak hair and greasepaint. This particular morning the doorbells rings and I go to get it, expecting my friend and rightfully so. There he was. And with a simple "Hello", he raised his arm and proceeded to tear the skin from the back of his forearm, revealing green, scaly reptile flesh underneath; perhaps I should reiterate that we were both 11 at the time. And I think my immediate reaction was pretty much, "Wow". This was just part of an ongoing passion my friend had with special effects make up and it got better as we progressed through school, making films where fake severed limbs, ripped eyes and washing up liquid bottles full of tinned tomatoes were sprayed at walls and faces were a relatively regular occurrence.

Some people leave that kind of thing behind when they leave school and enter the world of grown ups. And some people don't. Nor should they ever.

And so, sitting next to a good friend when they find out that something they worked on in a rather major way has just won an Academy Award is a pretty good feeling.

Taken a few days to write this, but I figured, what the hell. Congratulations to Mark Coulier, Stephen Murphy (said friend) Barrie Gower and everyone else who contributed to the make up for The Iron Lady.